Records Quotes
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Of course whenever you make the playoffs it's an exciting time of year. All the past records go out the window, but at the same time it's a one-shot deal and you have to get it right the first time or else you have to go home for the summer. Every kids' dream is to make it to the state tournament. Our kids are no different from anybody else.
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All I can do is just do stuff while I am alive and hopefully that track record will speak for itself.
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Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara - things that you probably shouldn't like.
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No one's selling records anymore, so there's no income you're being robbed of. I think that you should be in alignment with the world. The world is about sharing now, so as long as it's out there, it should be there. I think it's fine.
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We went through the records and we found over five hundred of his patients who were alive and well five years after their treatment, with no cancer. And Dr. Burton didn't selectively give us these. These were "take what you want. Here are the patients I treated." So there was statistical improvement - more so than any cancer institution in the United States could show.
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It's funny, I don't really feel that nostalgic. I only recently started putting up some photos from some of the sessions I've done over the years and some of the Garbage sessions because my daughter, who's 10-years-old, when she was about 6 or 7 she was more curious about what I do. I have all these platinum records and stuff, they've all just been in boxes in storage for years but I started just digging through those things because I sort of want her to be aware of my past. I never really put the old recordings on and listen to them and go, "Oh that sounds great."
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We don't want to be as big as U2. I like U2. It's a band that still makes good records. We'd like to make a couple more good records.
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I wanted to talk about my life. There is so much. I was 18 when I made the record, and I had a lot to say.
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From the get-go, my musical influences come from hip pop, popular stuff. And then I backtracked into the blues, jazz and classical. I always had a pop sensibility. I mean I'm making records to sell em!
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I'm developing a record company. I'm learning how to supervise music on a film.
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When I record in a studio I don't use an amp. I go directly into the board, so I can get that very fat, full sound - which is my favorite sound.
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Sophomore records are historically really difficult.
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Because my mother was in love with Bobby Darin, I grew up with his records playing in our house all the time.
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We always just go out there and do what we do. That's the way we approach all of our records.
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There's this celebrity thing that goes along with making records or being a rock star. I'm into this celebrity thing just enough to let me go on making records and making a living out of it.
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I definitely didn't have a lot of money. I had been fired from a record store. I was just trying to get by. I was on unemployment. I didn't have anything going full-time.
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Records have images. There are wet records and dry records. And big records.
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I put my pants on just like the rest of you - one leg at a time. Except, once my pants are on, I make gold records.
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I think every record, good or bad, is a representation of us.
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I'm trying to make records where people don't feel cheated. Nashville has been guilty of insulting the Country Music audience for years and years.
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To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
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I wouldn't record any song that I didn't like.
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This is what I wanted to do from the very beginning: write songs and make records and tour them with a good live band.
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When I’m Chad from Nickelback, then I have to wear one hat and I have to wear various others when I’m Chad Kroeger who is co-owner of 604 Records or someone who’s working on an independent project. At that point I want to know where the record is getting licensed, as well as absolutely every aspect of how we’re going to deliver a song to the public and how we’ll all get paid for doing so.
