Records Quotes
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Dad always says, 'The Yankees got all the records and we got the rings,'
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I have sold 120 million records. Half of those could be in Europe.
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I make an embarrassing amount of money for a borderline Marxist, just by selling 100,000 records. I don't sell millions of records, and I don't need to.
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Some amazing records have this power to leave you with inspiration; you're left with the urge to write something. And some records are totally overwhelming, because they are so good, they burn the bridges behind them.
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When I read John Cage's book Silence, I was growing up in Louisville, Kentucky. For me, records were a mode of time travel and geographic travel, interfacing with a much larger world. So it seemed antiquated and backwards that Cage would be so down on them.
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Changes, cyclic or otherwise, within the solar system or within our galaxy, would seem to be the easy and incontrovertible solution for everything that I have found remarkable in the stratigraphical record.
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Making good records tastes good in your mouh. And when that record sells, it tastes even better.
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For a producer, you want to be in L.A. You want to be close to the action, and in L.A. there are always singers, artists, songwriters, collaborators and other producers. It's easy to get access to all that, which gives you more opportunity to work records.
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When you listen to early Leonard Cohen records or Joni Mitchell records, you feel like a window is being opened into someone's life.
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Anybody who's putting out records is probably not making money at it.
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It's never as good the second time. Things don't get better. You can't always go back, a lot of it has been erased. The photograph is a record of it having existed.
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I wanted to completely honor The REV and pay tribute to him and carry on the legacy that he intended with this record.
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I go by records and Bob Paisley is the No 1 manager ever!
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Being a musician, being a person who's playing tours and making records is a part-time thing for me at age. I did it, I lived it and I breathed it every day of my life for 30-odd years and now I am slowing down a little bit. But it does not mean that I am any less intense and dedicated to the work that I am doing now. I have other priorities in life as well.
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The most personal track would have to be 'Love The Way We Used To.' It's one of the songs that I listen to outside of all the records that I wrote.
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It's one of those records that will stand forever. I really can't imagine anyone touching it.
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All records are made to be broken.
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It's a sad state when more people retweet than buy records.
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When you talk about world record times, you have to understand that everything must be perfect the weather, the course, the temperature. It is not always enough to be in good shape.
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When the audition for 'Cats' came up, even though I'd been making pop records, it felt like something I was attracted to.
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I'd found that what I wrote and put out on records somehow was not fitting into how I perform on stage.
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My father gave me one of those small, box-sized travel players when I was a kid and just a handful of records that he had. 'Zeppelin IV' was one. 'The Beatles at the Hollywood Bowl,' which is just about the worst record ever - you can't hear anything, just screaming in the background. I think there was maybe, like, an Animals record.
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You know, your ears record. You might can sing a song once you hear it.
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I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.
