Records Quotes
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By the time we finish, it'll be silly the amount of records we've sold.
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I'm proposing … that we reach into our bodies and we grab the genotype, and we reach into the medical system and we grab our records, and we use it to build something together.
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This Australian side is an amazing side. England are a very good team, but Australia are better. The records of the individuals alone reveal that. But we gained a lot of respect for England.
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When you talk about world record times, you have to understand that everything must be perfect the weather, the course, the temperature. It is not always enough to be in good shape.
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The relationship with a producer and an artist is really special. It's got to be love and respect, amazing mutual respect for each other, because that's what makes a good record.
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It seemed like whatever I touched, I was breaking record after record. I just knew I was on. I completely destroyed all existing shooting records there - an omen of things to come.
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A lot of people are promoting records that are just throw-it-agains t-the-wall-see- if-it-sticks meaningless bullshit. Everybody has the responsibility to do the right thing and promote artists that mean something.
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I'm trying to make pop records for the middle-class, lower-middle-class - pop for the 99 percent.
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My record of opposition to illegal immigration is unquestioned.
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I always think I'm going to record a lot on tour but it's always hard to fit it in the schedule, and there's a whole lotta' other extra curricular activities that happen on the road.
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I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.
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I like to produce my own records, because I know in my head where I want to take it.
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If you were on a desert island and you could only bring along five records from the past five years, what records would you bring?
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How lucky can one guy get? I was a runaway, and then I was in one of the biggest bands in the world. I've sold out every arena. I've sold millions and millions of records.
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Yea from the table of my memory I'll wipe away all trivial fond records.
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I make an embarrassing amount of money for a borderline Marxist, just by selling 100,000 records. I don't sell millions of records, and I don't need to.
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I’ve always tried to insert consciousness and spirituality in my records, interpreting the writings of all cultures and religions and how they apply to life in modern times
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Speaking of WAMU, bluegrass and old time music DJ Ray Davis did a lot of work there. I've know Ray, I guess for 50 years - 40, or 50 years. And, he plays a lot of my records.
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Most of my records are never going to be commercial successes, and I don't expect that. It's just all a learning process to me. If something appears as a failure, fine. If there's success, fine. I like the record, and my friends like the record, and that's kind of all I can really care about.
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The scratches in Yoko Ono records are moments of relief.
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I always thought my records were number one; it's just the charts didn't think so.
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Changes, cyclic or otherwise, within the solar system or within our galaxy, would seem to be the easy and incontrovertible solution for everything that I have found remarkable in the stratigraphical record.
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Spotify is returning a huge amount of money. We'll overtake iTunes in terms of what we bring to the record industry in under two years.
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Everybody needs a release. Sometimes people mosh at my shows. That inspired me to make records to get the people more crunk. People need a release and I enjoy being an artist that can do that for people.
