Art Quotes
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I can't think of one person I've ever met who didn't like some type of music. More than art, more than literature, music is universally accessible.
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Intelligent media companies strive to provide both intellectual and comedy programs, groundbreaking and reflective articles, art house and popular movies. Not to be open minded in providing a full range of quality media would be a failure to serve the breadth and depth of the communities we live in.
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What is art really? The outcome of dissatisfaction with life, the point of impact for the creative force, the continual movement of life.. ..in my art I attempt to explain life and its meaning to myself.
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I've always felt writing is an art. Publishing is a business. I felt strongly if I was going to write, I would write what I wanted to, and if the 'market' didn't respond, there was nothing I could really do about it.
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I can tell for sure, the technologists have made it clear that they don't care about musicians. The arts have been sacrificed on the altar of technological advancement.
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My work first engaged with the early russian avant-garde; the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.
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Foucault, like David Letterman, made smirking glibness an art form.
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Poetry is often the art of overhearing yourself say things you didn't know you knew. It is a learned skill to force yourself to articulate your life, your present world or your possibilities for the future.
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The great art of films does not consist of descriptive movement of face and body but in the movements of thought and soul transmitted in a kind of intense isolation.
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The motto of his Robinson Jeffers’s work is 'More! More!'-but as Tolstoy says, 'A wee bit omitted, overemphasized, or exaggerated in poetry, and there is no contagion'; and Frost, bearing him out, says magnificently: 'A very little of anything goes a long way in a work of art.'
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There is a deep question whether the possible meanings that emerge from an effort to explain the experience of art may not mask the real meanings of a work of art.
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Only utopian liberals could be surprised that the Nazis were art connoisseurs.
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I did this Super-8 film at art school called 'Tissues,' this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.
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To be present - really, truly present - in art and life requires empathizing with uncertainty and wrestling with risk.
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Art is a hideously painful business, you know. Pity me! Or at least buy me a drink.
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Human beings are the only animals who have the capacity to envisage something that is not present or something that does not yet exist but which is merely possible. The imagination has thus been the cause of our major achievements in science and technology as well as in art and religion.
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Your machinery is beautiful. Your society people have apologized to me for the envious ridicule with which your newspapers have referred to me. Your newspapers are comic but never amusing. Your Water Tower is a castellated monstrosity with pepperboxes stuck all over it. I am amazed that any people could so abuse Gothic art and make a structure not like a water tower but like a tower of a medieval castle. It should be torn down. It is a shame to spend so much money on buildings with such an unsatisfactory result. Your city looks positively dreary.
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We Hans Arp and Sophie Taeuber painted embroidered and made collages. All these works were drawn from the simplest forms and were probably the first examples of concrete art. These works are realities pure and independent with no meaning or cerebral intention. We rejected all mimesis and description, giving free reign to the elementary and spontaneous.
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I've really only had one (dream) since I got into this business at 13 years old, which was to be in this business forever. Once I did my first television commercial, I caught that itch and that bug. I want to be a part of pieces of art - as far as cinema is concerned - that people will want to see for generations to come. That's my dream.
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That's the joy of art - it should be dangerous and challenging but it's just art - it's safe.
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Dogma, static positions, consonance - all these are obstacles to catching the disease of art, at least in its more complex forms.
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I will never forget experiencing Venice for the first time. It feels like you are transported to another time - the art, music, food and pure romance in the air is like no other place.
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The public needs art, and it is the responsibility of a ’self-proclaimed artist’ to realize the public needs art, and not to make bourgeois art for the few and ignore the masses. … I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. I am merely a middleman trying to bring ideas together.
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Business fits me best. The only reason I went into modeling originally was to help out my family, because I knew that money gave you freedom. I tried acting and all of the arts, I even put out a record album, but what I like the most is business, which is where I am now.
