Creative Quotes
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I feel like I'm one of the more creative artists in the game. I think I'm going to be here for a while.
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A teacher should have a creative mind.
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The creative adult is the child who survived.
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We are the recipients of scientific method. We can each be a creative and active part of it if we so desire.
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In Don Mills in the Sixties, nothing comes close to the humiliation of losing an argument. In our weird little creative circle, no one cares who has faster fists, but to lose an argument suggests inferior intelligence.
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Amazon's Jeff Bezos, Facebook's Mark Zuckerberg, Bill Gates, and Steve Jobs did not start out wealthy, and actually added to income inequality, but we all benefit from their creative effort.
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I just want to stay creative, share my ideas and see where it all leads.
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My hand is the extension of the thinking process - the creative process.
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What I wanted to do was use literature and different kinds of stories and poems as a springboard, tapping into the creativity of our teens - I wanted teenagers to come up with their own creative responses to literature - using books themselves as a starting point.
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I cook more theoretically than I do practically. My job is creative, and in the kitchen, the biggest part of my creativity is theoretical.
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This invisibility, however, means that the opportunities for creative research are infinite.
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I'm a freestyle creative entrepreneur. Not a businessman. I like to create ventures in which creativity stands at the centre.
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My mum is an artist and very into creative expression and freedom.
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Sometimes we have to take on jobs that we don't love, and I always encourage any creative person to use those as the fuel to do the things that you do love to do, even if they don't pay.
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What I love about L.A. and Washington, D.C. is that they're almost the opposite of each other. L.A. is a very creative space while D.C. is a very cerebral space. So, they're the ying and the yang in my world. I like them both for their own reasons.
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I think most people have creative ideas and have very strange, unorthodox impulses of things that they can do with their lives. I've had many of these over the years, but I decided the more important question was, 'When did I start calling this art?'
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I think as long as I have a creative outlet, I'm happy.
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Tension is a prerequisite for creative living.
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I'm obsessed with media and the way audiences can become creative participants.
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Ineffective people live day after day with unused potential. They experience synergy only in small, peripheral ways in their lives. But creative experiences can be produced regularly, consistently, almost daily in people's lives. It requires enormous personal security and openness and a spirit of adventure.
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It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
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I had long had an instinct about there being a role for me in a creative industry. Maybe I didn't listen to that voice as much earlier on, but when it had become a deafening sound in my head I realised I had to go and explore it.
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I terribly miss - we all miss, I think - somebody like the great producer Irving Thalberg. He had a foot in both camps: He understood us creative people. And he understood the money people.
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I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
