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England and Denmark have a sense of irony and a darker sense of humour that you don't necessarily find in Germany and Sweden.
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Again, I find it difficult to be taken care of and rarely acknowledge it, and every act he does registers, but I also just need to verbally acknowledge him and hug him.
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There are a lot of songs about love and how it starts, whether that's realizing it yourself or coming to find it later on - but no sort of talk about the actual feelings that are created from love and passion.
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I decided upon the thought that I can only find myself once I can admit to myself and approve that both sides are sides of myself.
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I find the business world hard.
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When I'm cooking for myself, I find that I eat almost completely vegetarian, although I'm not vegetarian.
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I wish no teams had cheerleaders. I find it more distracting than anything else.
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If you want to find out if someone's a taker, it's not actually that useful to know what they've accomplished. What you want to want to know is how they explain them.
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Let an audience be able to find it themselves without spoonfeeding it.
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As a member of the audience I don't like it that I can't see what's going on in the eyes and in the face and in the most subtle responses of a performer when I'm more than a few rows back. I find it very frustrating.
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If you can find collaborators whose strengths compliment your own, the result can be more than the sum of its authors.
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I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
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I've always said that acting found me. I didn't really find it.
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Truth in drama is forever elusive. You never quite find it, but the search for it is compulsive. The search is clearly what drives the endeavour. The search is your task.
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I do find that it's easier to get Latino-themed movies... but I don't think there's that stigma anymore. I think that what's harder is to be a woman, not to be a Latina.
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In a democracy, you have to find a market niche, make sure a novel is 'interesting' and 'spectacular.' That may be the toughest censorship of all.
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I find that the kinds of music I'm drawn to are those that a lot of people take for granted.
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If there is a reason I'm able to make unsympathetic characters human, it's because it's my desire to find what drives the unsympathetic behavior. Almost always at the bottom of it is some deep insecurity. Putting your finger on what each individual's particular insecurity is goes a long way to fleshing that person out.
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I was on a series for a number of years, and I got very used to only doing a mini-play per week. When I first came back to the theater, and I was suddenly doing eight shows a week again for three or four months, I had to find a new reason to do it.
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The longer we listen to one another - with real attention - the more commonality we will find in all our lives. That is, if we are careful to exchange with one another life stories and not simply opinions.
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With DNA, the ability to find out a lot more with a lot less has increased our ability for identification.
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I think it just helps to be very aware that fundamentally, there are no adults. Everyone is making it up as they go along. You have to find your own path, picking, choosing, taking and discarding as you see fit.
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I find the comic book audience a lot more intense than the fantasy one, definitely.
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Anybody who has interacted with me will definitely find me to be a chirpy person.