Book Quotes
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It takes me a long time writing books. It takes me about five years to write a book, and when I'm done, the last thing I want to do is to do it again.
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I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.
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Counting the ways the Book of Mormon brings peace to the soul is like counting the sand on the seashore.
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I certainly didn't have a three-book plan or a 10-year plan when I worked on the first book.
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I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis.
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I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.
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I consider myself lucky that Sonu Nigam, Bikram Ghosh and Taufiq Quereshi came forward to create an original soundtrack to promote my book, something that hasn't been tried here before!
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The Book of Life begins with a man and a woman in a garden. It ends with Revelations.
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I'm not like Jonathan Hickman, who's able to sort of plot out three years of a book ahead of time. I'm much more of a guy who plots out an arc or two at a time.
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I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
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I have disassociated myself from that book.
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Writing Part of the Scenery has been a very different experience. I have been reminded of people and events, real and imaginary which have been part of my life. This book is a celebration of the land which means so much to me.
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Ten years ago we had a very simple yet powerful idea-call many of the greatest thinkers in the world, ask them each to write a chapter sharing their vision for the future of leadership, and put together an edited book titled The Leader of the Future.
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I love any book that makes my family seem almost normal.
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For me, the whole process involves envisioning this book in my head as I'm working.
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There is always shame in the creation of an expressive work, whether it's a book or a clay pot. Every artist worries about how they will be seen by others through their work. When you create, you aspire to do justice to yourself, to remake yourself, and there is always the fear that you will expose the very thing that you hoped to transform.
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With few exceptions, the publishing industry has come to a consensus: if a book has a young protagonist, and if its worldview is primarily interested in the questions that crop up when coming of age, then it's a young adult novel.
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Every play I do, every book I write, every painting I paint, I will struggle with. I don't know what it's like for a project to come easy.
Antony Sher -
Webster and I are very aloof. The two of us go and sit there by ourselves. I sit by myself in the corner with my book and the newspaper. He kind of runs around a little bit, and then he goes and sits on top of the picnic table. He never plays with other little dogs.
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Readers of novels are a strange folk, upon whose probable or even possible tastes no wise book-maker would ever venture to bet.
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I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.
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A classic is a book that doesn't have to be written again.
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For a very long time, I wrote a book a year, and was eager and willing to do it, to put bread on the table, to have my work out there. Now I must write a book every two years, and that's never enough time, either.
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In my formative years, I never missed the 'Creature Double Feature' on Saturday afternoon TV, even if it meant switching back and forth between 'Gamera' and the Red Sox. I did a book report on Stephen King's 'Night Shift' in seventh grade. Unrated Italian horror movies became a weekly rite of passage once I hit seventeen.
