Book Quotes
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We each take up one virtual space per title... Virtual shelf life is forever. In a bookstore, you have anywhere from a few weeks to a few months to sell your title, and then it gets returned. This is a big waste of money, and no incentive at all for the bookseller to move the book.
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As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.
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When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
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I wrote books to entertain. I'm not trying to teach anything! If I suspected the author was trying to show me how to be a better behaved girl, I shut the book.
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From age 16, I lived and breathed wine. I read every magazine and book about wine.
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I'm a quiet person's nightmare - the only time I shut up is when I'm reading, because I'm a book geek.
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My house is filled with books, most of which I have read, some of which I intend to eventually get to. I'm always reading at least one work of fiction and one work of non-fiction simultaneously. Whatever mood I'm in, there's always a book nearby to suit it.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.
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A book is a gift you can open again and again.
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Every book is like starting over again. I've written books every way possible - from using tight outlines to writing from the seat of my pants. Both ways work.
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I have a musician friend who, after reading Mountains, told me, "When I read the book, I wanted to quit music altogether and become a doctor." I told him, "Do you really think you can be a better doctor than you are a musician? Nobody needs you as a lousy doctor. Just be the one-of-a-kind, brilliant musician you are, and divert your success somehow to benefit the poor." You can achieve so much more this way.
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I got a call on a Sunday. 'Do you want to do 'The Godfather?' I thought they were kidding me, right? I said, 'Yes, of course, I love that book' - which I had never read.
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I'm not like Jonathan Hickman, who's able to sort of plot out three years of a book ahead of time. I'm much more of a guy who plots out an arc or two at a time.
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Every writer I know got their start in a library somewhere. We read a book, and we thought, 'I want to do that.'
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From an early age, I had the idea that writing was truth-telling. It's on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature - the holy book. There's nothing holy about it for me, but it should be serious, and it should be totally transparent.
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I don't know what I want to do. There are people who want me to do things. There's a possible book. There are lots of things to consider. I just have to figure out what I want to do. I'm not one to sit around and do nothing.
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I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.
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I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
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A classic is a book that doesn't have to be written again.
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The book of your revolution sits in the pit of your belly, young Indian. Crap it out, and read.Instead of which, they’re all sitting in front of color TVs and watching cricket and shampoo advertisements.
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The anti-apartheid prisoners on the island, like so many in every age and nation, found that Shakespeare had a peculiar ability to gentle their condition. They used to gather clandestinely to read the plays; on one occasion, the book was passed around for each man to mark his favourite lines.
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The best and most popular novelists do not, as a rule, have children in their books at all, and this is wise. Parents are about the only people who are interested in children, and they merely in their own ones.
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I didn't write the book to sell the book, but to tell my experiences.
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People don't realize how a man's whole life can be changed by one book.
