Book Quotes
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I don't get far enough into a boring book to hate it.
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What are you reading?" Owen asks. "Charlotte's Web," Liz says. "It's really sad. One of the main characters just died." "You ought to read the book from end to beginning," Owen jokes. "That way, no one dies, and it's always a happy ending.
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As children, we all hold on to the myth of omnipotence. Comics are successful because kids identify with superheroes. They'll read a book or watch a TV programme and say, 'I'm that guy.' And that guy is always the one in control.
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I love any book that makes my family seem almost normal.
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The book 'A Reliable Wife' is a slice of American history. It takes a part of American history and tells a story about the purchase of a wife by a Wisconsin businessman. The research of that would have been really interesting.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
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Every writer I know got their start in a library somewhere. We read a book, and we thought, 'I want to do that.'
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A book is a gift you can open again and again.
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I was sitting in the toilet and I was by myself. I was tired of playing with the roller, so I said I'd better write a book.
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Readers of novels are a strange folk, upon whose probable or even possible tastes no wise book-maker would ever venture to bet.
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I don't want to go slumming in somebody else's pain just to write a book. I want to go into those darker places to shine a light on that experience and come out with a story that validates the human spirit.
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If you're studying from a book and trying to listen in on a conversation at the same time, those are two separate projects, each started and maintained by distinct circuits in the brain. Pay more attention to one for a moment and you're automatically paying less attention to the other.
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I believe that it is my job not only to write books but to have them published. A book is like a child. You have to defend the life of a child.
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I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
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I maintain an ongoing survey of Internet Publishing and self publishing, so that it is now possible for any writer with a book to get it published at nominal cost or free, and to have it on sale at booksellers like Amazon.com.
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I very much love a physical book myself. I think people who have had this experience of also seeing a book come together, from sitting down and writing the first word, to holding the binding in your hand, we have a deeper sentimental attachment to it than others might.
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With few exceptions, the publishing industry has come to a consensus: if a book has a young protagonist, and if its worldview is primarily interested in the questions that crop up when coming of age, then it's a young adult novel.
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I try to do that in this book without preaching - to try to do as you just said that you really have to defend the First Amendment rights of everybody.
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I always loved books. I don't remember learning to read, it was just something I always did. I was hungry for knowledge, I guess, and information; I was a curious kid. I still am.
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I thought a book on miracles might be a great idea, but just because it's a great idea doesn't mean I'm supposed to do it. But my editor persisted, and eventually I thought, 'He's right. I should write this book.'
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The expectation was that 'True Confessions' would be my first published book, but that didn't happen. After it was rejected by every publisher in New York and Canada, I shoved it in a closet and went on to write and publish my next three books.
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I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous but they don't really want to do anything. I can't think of anything less worth striving for than fame.
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A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
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Their things works of Die Brücke-artists must be exhibited. But I think it is incorrect to immortalize them in the document Almanac of our modern art (and, this is what our book ought to be) or as a more or less decisive, leading factor. At any rate I am against large reproductions of Die Brücke paintings in The Blaue Reiter Almanac.
