Book Quotes
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When I was just writing books and giving lectures, if people disagreed, they just didn't buy your book or attend your lectures. But, if you're leading a congregation, people feel they have the right to tell you what you should or shouldn't talk about. And that hasn't always been easy for me.
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I've always felt that writing can be learned but not really taught. The best thing somebody can do for you is to put the right book in your hands at the right time. I grew up in a family where the right book was always being put in my hands.
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I am particularly wary of authors who put themselves on the cover of their own book.
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As a technology, the book is like a hammer. That is to say, it is perfect: a tool ideally suited to its task. Hammers can be tweaked and varied but will never go obsolete. Even when builders pound nails by the thousand with pneumatic nail guns, every household needs a hammer.
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Maybe we all need to leave our children with a value legacy, and not a financial one. A value for things with a personal touch - an autographed book, a soul-searching letter.
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My book has a pre - civil rights setting with a post - civil rights sensibility. I believe less and less that there is something called "The Black Experience," though undoubtedly there was one once.
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To foretell the destiny of a nation, it is necessary to open a book that tells of her past.
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You know, now it's sinking in. It's taken me a long time to realize - and it is sinking in - how important this book is. And I have a certain distance now. I've done it such a long time ago.
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The struggle is how to write optimistically when the world we're living in is not inherently optimistic. I love the idea of the family from the most Norman Rockwell version to Norman Bates. Without family, we have very little - it is the most basic social structure. So yes I suppose I wanted to write a hopeful book about the evolution of the family.
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There were days when I was on the last $10 in my account, and I was freaking out about paying rent or buying groceries. Then you book a commercial, and you're good for another three months.
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An author is somebody who writes a story. It doesn't matter if you're a kid or if you're a grown-up, it doesn't matter if the book gets published and lots of people get to read it, or if you make just one copy and you share that book with one friend.
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My name is Matthew Walker, I am a professor of neuroscience and psychology at the University of California, Berkeley, and I am the author of the book 'Why We Sleep.'
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When someone hears that I've written a book about 1897, I'm usually met with blank stares. And the first thing they say is, 'Was there even an L.A. back then?' A lot of people don't even think there was a city before the movies appeared. That concept of Los Angeles is so strong in the popular imagination that celebrity overrides everything.
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Thought without language, says Lavelle, would not be a purer thought; it would be no more than the intention to think. And his last book offers a theory of expressiveness which makes of expression not 'a faithful image of an already realized interior being, but the very means by which it is realized.'
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Conspiracies fascinate me. When I visited the Rozabal shrine in Srinagar before writing my first book, I remember thinking that the person enshrined there was no ordinary mortal. History is rife with mysteries, and that visit ignited a fire to unveil some of them.
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What was a book? Not just ink and fiber and stitchery: a series of processes. To a wizard, it was not a static object--but a human thought caught and bound, made concrete through sacred technology. Magic, then, and a deep form of it.
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In a sense, I wrote the book about Jesus that I wanted to read.
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I'm one of those lucky guys making a living out of something I really enjoy doing. That's a blessing. But you never know. What if my subsequent book series flops? I don't come from a wealthy background, so I'd be left with no choice. I'd have to go back into banking!
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I would say I'm an inspirational guidelines book. You can take my life story or scenarios or songs and relate to them and apply them to your everyday life.
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I continually get more information about a subject after the book has been published.
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After telephone, kinematograph and phonograph had replaced newspaper, book schoolmaster and letter, to live outside the range of the electric cables was to live an isolated savage.
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I wrote the first version of this book in 1996, in the closing years of the twentieth century. Now, almost two decades into the twenty-first, it seems we are still struggling with what W. E. B. Du Bois identified in 1906 as the “problem of the color line,” even though the demographic composition of that color line has changed quite a bit since then.
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The Bible is not a book that you can open and say, 'Now, Lord, put some magic into my soul that will open up the meaning of this book.' There is only one way really to understand the Word, and that is through wrestling with the circumstances and happenings of life.
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And rather than make the book unwieldy I have eschewed notes-reluctantly when some obscure passage or allusion seemed to ask for a timely word; with more equanimity when the temptation was to criticize or 'appreciate.' For the function of the anthologist includes criticizing in silence.
