Book Quotes
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I often compare myself as a kid to my own grandchildren, who are around 11 and 14 now. That's the age kids usually read my book. And I remember myself; we'd gone through a world war. My father was an army officer so I was aware of what was going on. But I wasn't bombarded with images of catastrophe like many kids are today.
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We were at a kibbutz, and we were at a Shabbat service, and I opened up the prayer book, and on the first page, it said that the prayer book was in thanks to the sponsorship of this family in a temple in Kansas City. For me, it was a moment when I really kind of connected in a real serious way with my personal identity as a Jew.
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Ever read any Friedrich Hayek? He's great. The Road To Serfdom is like... I'm not a big political-science reader, but I actually dog-eared my copy. I ended up going back through it and writing a précis, I was so impressed by this book. It's all about what happens when government tries to make everything right.
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By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events in the book were happening, I knew I'd probably write about them one day. I didn't want to. I'd studied fiction, and I was committed to establishing myself as a fiction writer first.
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Digital organisms, while not necessarily any more alive than a phone book, are strings of code that replicate and evolve over time. Digital codes are strings of binary digits - bits.
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I don't see that my age has anything to do with what is between the covers of my book, any more than the fact that I am right-handed. It's a fact of my biography, but it's uninteresting.
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It's a little bit like my inability to read a guide book before I go anywhere. I can read it after I've been there and by the same logic I refuse to accept any technical stunts from anybody. I refused to learn more than I knew and I confess I missed a great deal.
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Every time I write a new book, I want to push myself to try something different.
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Each new book is a tremendous challenge.
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Now that Mr. Carter has made a book of his diary, an adoring memoir entitled Keeping Faith, the notes read like a collection of letters sent from scout camp.
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A friend of mine, Neil Gaiman, had the film rights to his book 'Stardust' bought by producer Matthew Vaughn and suggested I adapt it for the screen.
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Have you any notion how many books are written about women in the course of one year? Have you any notion how many are written by men? Are you aware that you are, perhaps, the most discussed animal in the universe?
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'Catcher In The Rye' was my favorite book, honestly. I read it when I was thirteen, and the book was a bit of a family heirloom because it was passed down from my grandfather to my father to my older brother and then to me.
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It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it.
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If it's just brushstrokes wrestling around, it isn't much of a picture book, is it? There still has to be a picture. And maybe it needs to be a picture of a dog named Daisy or a little girl riding a bike. So I have to be careful before I get too carried away in the manner itself.
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I would imagine that anyone picking up a book written by me would expect a fast-paced story that requires minimal effort to turn the pages. The reader would also be looking for some out-of-the-ordinary revelations along the way. At the end of the day, I'm a writer who simply loves revealing stuff that is out-of-the-ordinary.
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I was not a comic book kid.
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My toughest criticism usually comes from myself. As my editor can attest to, I'm never done tweaking a book until the production department has to rip it from my hands!
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I grew up in a completely bookless household. It was my father's boast that he had never read a book from end to end.
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There's still a strange moment with every book when I move from the position of writer to the position of reader and I suddenly see my words with the eyes of the cold public. It gives me a terrible sense of exposure, as if I'd gotten sunburned.
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Som-Som would later learn that the girl's name was Book. Ambiguous and suggestive sentences swirled out from the maroon bud of her nipple. Verses of elegant and cryptic passion followed the orbit of her left eye. Her fingers dripped with poetry.
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Valerie Martin was my mentor in college and she liked fiction that said something. That made it essential to have something to say. This seems obvious, but it's not. And she's taken on a wide range of subject matter: each book poses new challenges, and that's something I think about when I'm embarking on a project.
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Something I found while writing 'Alice & Oliver' - a book that is unquestionably a work of fiction, but which also borrows details from my own life - is that writing the truth often requires invention and imagination.
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When a locked-room mystery doesn't work, the solution makes you groan, and the book gets hurled across the room.