Book Quotes
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I sculpted for four or five years. Mostly for my own amusement, I decided to do a picture book, and that was kind of a turning point.
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Somewhere in this process, I begin reading and showing my book to my audience. When I say my audience, I mean a single imaginary child who is a blend of myself as a young person, the students in my wife's classroom of first- through third-graders, and the students from two classrooms I visit regularly in the Bronx, New York.
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My website inspired me to create my book club and provides me with a creative outlet where I can write about things that interest me. It's a platform where I can present ideas or new ventures and get feedback straight from the people who mean the most to me.
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I get intrigued by a puzzle, and writing a book is the best way to solve it.
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Why would one ever be so insane as to ditch a perfectly beautiful metaphor? Cut back, of course, prune if you like, so that the best metaphors are clear and sparkling. But I will throw out unread the book that promises me no metaphors inside.
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We may be sure that the characteristic blindness of the twentieth century [...] lies where we have never suspected it [...] The only palliative is [...] by reading old books. [...] the books of the future would be just as good [...], but unfortunately we cannot get at them.
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Whether in my book or not, every man is tabernacled in every other and he in exchange and so on in an endless complexity of being and witness to the uttermost edge of the world.
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I like you and your book, ingenious Hone!In whose capacious all-embracing leavesThe very marrow of tradition 's shown;And all that history, much that fiction weaves.
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Something I found while writing 'Alice & Oliver' - a book that is unquestionably a work of fiction, but which also borrows details from my own life - is that writing the truth often requires invention and imagination.
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We didn't have all the distractions that young people have today. We didn't have these incredible computer games and social networks to engage with. I understand that. But once young readers do discover reading, when they discover a book which they fall in love with, it really unleashes something new in their imagination.
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I always have some way of putting the stories together that works for the book. I've always switched points of view in my books. I'm a Gemini.
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Books have to be read (worse luck it takes so long a time). It is the only way of discovering what they contain. A few savage tribes eat them, but reading is the only method of assimilation revealed to the West.
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All the books I have written have been one book, from the beginning.
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I don't like to make my life like a book.
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I would imagine that anyone picking up a book written by me would expect a fast-paced story that requires minimal effort to turn the pages. The reader would also be looking for some out-of-the-ordinary revelations along the way. At the end of the day, I'm a writer who simply loves revealing stuff that is out-of-the-ordinary.
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I don't think I can write a book as nihilistic as some of my early ones. They're so bleak. I don't think I would enjoy that as much anymore. You really become fixated on ways out.
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How hard it is to make an Englishman acknowledge that he is happy! Pendennis. Book ii. Chap. xxxi.
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The reason that the book exists is because there was a gap in you. You wrote the book to fulfill that gap in some way.
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It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it.
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One of my favorite authors, Garbrielle Zevin, she did a book called 'Elsewhere,' that is one of my favorites, and I think they're making that into a movie too. I really want to be in that one just because the story is so beautiful.
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It is a grand book worthy of one’s hopes of you. A most powerful piece of well organized analysis with high aesthetic qualities, though written more perhaps than you see yourself for the cognoscenti in the temple and not for those at the gate. Anyhow I prefer it for intellectual enjoyment to any recent attempts in this vein.
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Pitches are like pages of a book; they're so important. The chess game; how I set you up early, and how I'll do it differently later.
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I've always felt that I was a bit of an outsider to the British children's-book illustration scene, because I don't work in line and wash.
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Often something comes in from which you can see that the person is good, the book may not be perfect as it is, and the person doesn't want to do a re-write. That's something we do almost nothing of.
