Book Quotes
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At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock.
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What if there was a library which held every book? Not every book on sale, or every important book, or even every book in English, but simply every book - a key part of our planet's cultural legacy.
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Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise; I will not lodge thee by Chaucer or Spenser, or bid Beaumont lie A little further, to make thee a room; Thou art a monument, without a tomb, And art alive still, while thy book doth live, And we have wits to read, and praise to give.
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The Local Paper here asked that me books be banned........THE HIGHEST PRAISE for an Irish writer.
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I've gotten over that by now. But I remember the first time reading the book, I was like, 'Wait, Jacob's been trying to get Bella this entire time, and he strikes out, so he goes for her child?' I was so confused. It took me a second.
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There isn't an aspect of book creation I don't enjoy, and there has always been a book in my life to dream about or work on.
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I have written a picture book that is based on my daughters. You know, my youngest one likes to tell everybody, 'Mommy wrote 'Best Day Ever' about us.' Which is true.
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I suppose not everyone has a dad who wrote a book saying he didn't believe in the Parliamentary road to socialism.
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When I won my way to the international science fair, I didn't want to embarrass myself. It was the first time I was going to be away from home, the first time taking an airplane. I went to the local library, checked out every single etiquette book, and I read those books like I was uncovering some sort of treasure.
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I'm a big Michael Lewis fan. That said, my favorite Lewis book was 'The Blind Side.'
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What crime writers are doing connects deeper into a cultural hunger. Crime is important. When you open up a book that has a body that's dead, that matters. It matters more than a certain level of suburban angst; it really does.
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I find the comic book audience a lot more intense than the fantasy one, definitely.
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I had an insanely long commute - New York to D.C. - when I worked at 'National Geographic.' I hate to waste time, so I spent my time by writing about my life on the premise that I might be able to pitch those as short essays to magazines. It wasn't until later that I realized that I was writing a book.
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The profession of book writing makes horse racing seem like a solid, stable business.
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Going to so many book events keeps me connected with my readership while constantly reminding me that all the long hours at the drawing desk are worthwhile.
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My first biography was 'Our Golda: The Life of Golda Meir.' To research that book, I bought a 1905 set of encyclopedias. Those books told me what each of the places Golda Meir lived in were like when she lived there.
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When I do a workshop, there is always at least one author who comes up afterward and asks if I'll take a look at his or her book and consider blurbing it. For some reason, I can turn someone down in e-mail, but when he or she is looking me in the eye, I cave.
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Sometimes I have a melody in my head; sometimes it's just a verse. I read lines from a book or movies that I watch and grab a few quotes and start writing on paper. From there, I record a really rough version and work on the song.
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If you don't allow yourself to change from book to book - take chances - it turns into a dullish job with no health benefits or pension plan and only intermittent paychecks.
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Snooki is a bestselling author? Huh? What? I don't know if I should dumb down my book, shoot myself or find a publisher who'll settle for a rough draft written on a Pop-Tart and a coconut lotion handie.
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Time is the currency - the highest valued currency we have now. And people giving you their time is so incredible. They don't have to like your book, either. That's a totally separate gift.
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That wasn't a bad price for a first book. My agent upped it as much as possible. I was 27 and had nothing behind me. I was working like a fool to earn a living and pay for my apartment.
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When I'm working in finite serials, I always think in terms of the entire book rather than the individual episode because, by far, the vaster sector of the project's lifespan will be in complete book form rather than the singles.
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Perhaps Lila was right: my book—even though it was having so much success—really was bad, and this was because it was well organized, because it was written with obsessive care, because I hadn’t been able to imitate the disjointed, unaesthetic, illogical, shapeless banality of things.
