Book Quotes
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A book is so much a part of oneself that in delivering it to the public one feels as if one were pushing one's own child out into the traffic.
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I have written a picture book that is based on my daughters. You know, my youngest one likes to tell everybody, 'Mommy wrote 'Best Day Ever' about us.' Which is true.
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She has a fascination with Mayan prophecies, and she's writing a book that's sort of her remembrance of her past incarnation. Whatever she applies herself to, she makes it this beautiful, glorious world around her. All of us kids have always been artistic because of her influence.
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You can write the best book you can, and that might still not be enough. Appeal isn't something that most writers can't strive for or identify. It's something even the best agents and editors can't always identify.
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I have always been a writer of letters, and of long ones; so, when I first thought of writing a book in the form of letters, I knew that I could do it quickly and easily.
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No book had ever really hinted of it, though the deathless Chinamen said that there were double meanings in the Necronomicon of the mad Arab Abdul Alhazred which the initiated might read as they chose, especially the much-discussed couplet:
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We didn't have much, but I was raised to believe if you had books, you had a lot. My grandfather and my parents made me and my twin brother Kiel read at least a book a week.
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'Suttree' is a fat one, a book with rude, startling power and a flood of talk. Much of it takes place on the Tennessee River, and Cormac McCarthy, who has written 'The Orchard Keeper' and other novels, gives us a sense of river life that reads like a doomed 'Huckleberry Finn.'
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A lot of writers that I know have told me that the first book you write, you write about your childhood, whether you want to or not. It calls you back.
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I never go anywhere without a book for fear of being stuck in line in front of the theater or strapped down in the dentist's chair and being bored witless. Thus, I read everywhere.
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I got in the habit of giving away a book as soon as I've finished it because I lived in a housing co-op at Cambridge and had no space to keep books.
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I'm not expecting the American literary community to welcome me with open arms. To them I'm just some schmuck kid who wrote some book.
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I've repeatedly seen unscrupulous lenders use every con in the book to charm and lie to homeowners. Lenders actually paid brokers a premium to put people in higher-priced loans with toxic features, such as adjustable rates and prepayment penalties.
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The beginning of a book is always the hardest part for me. I'm a Chapter 3 kind of writer, which means I naturally start at Chapter 3.
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The two things I enjoy the most about writing are the first page of a book and the last. What's in between is very hard work.
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The main benefit of the book for the more experienced practitioners is as an evangelical tool. The book will give you some ways of expressing the value and importance of your work that you may not have had before.
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My people. I have given them a sense of individuality, integrity. I have not made them slaves of any god or any religion. Nor of any holy book or any priest. I have certainly not replaced their god. They are all a part of what I call my traveling circus.
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A new book is like a friend that I have yet to meet.
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I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
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The main challenge that television presents is that I have a tendency to say things with a great deal of precision and accuracy. Often a description of that sort, which will work in a book because people can read it slowly - they can turn the pages back and so on - doesn't really work on TV because it interrupts the flow of the moving image.
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I think the suicides in my first book came from the idea of growing up in Detroit. If you grow up in a city like that you feel everything is perishing, evanescent and going away very quickly.
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On a couple of occasions in the last weeks, I just said some things that weren‘t in keeping with what I knew to be the case and what I had written about in my book. And you know, I‘m embarrassed by it. I‘m very sorry I said it. I have said that, you know, it just didn‘t jive with what I had written about and knew to be the truth.
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The first time I drew a Superman story was 'For Tomorrow' with Brian Azzarello in 2004. It didn't really hit me how important it was until I drew a scene early-on in the book that featured Superman crossing paths with a giant, intergalactic space armada.
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Especially those first few years of my comic book career, I had no idea what was going to happen the next day.
