Book Quotes
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When me and my author friends who write about other difficult subject matter... when you hear from teens daily saying, 'Your book helped me or made me understand a friend better, what somebody else is going through,' you see the positive things.
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I write a book a year while creating TV and film projects. And being a writer isn't just writing: I have to chase down paychecks and manage foreign tax payments. I maintain a vibrant relationship with readers and bloggers. And when it comes to Hollywood, I typically have to have fifteen business meetings in the hopes that one leads to a project.
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All the marketing and advertising sells the book as what it is and hopes that the book will be displayed so that your readers can find it.
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I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
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I'm sort of contrary and stubborn sometimes. When everybody says, 'You have to read this book! You have to read this book!' I'm like 'Oh, I'll get around to it.'
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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Now there is one outstandingly important fact regarding Spaceship Earth, and that is that no instruction book came with it.
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Going out at night and having a fabulous social life takes a lot out of you, and I don't know if I have that much to give, honestly. I would rather give that time to my kids or spend that time reading a book or watching a film. I am selfish and lazy.
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To be honest, there are parts of 'How Literature Saved My Life' that began as interviews. Someone was telling me that they think the book sounds very phonic: that it sounds like me speaking. And I don't think it's a coincidence that there are six to ten passages that I cadged from various interviews that I did post-'Reality Hunger'.
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I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.
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Writing blurbs for books means you have to read the book, and it cuts into the business of bookselling. So every time I get a blurb from a bookseller, I try to write a thank you note.
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My favorite book in life is 'A Wrinkle In Time,' which I read before high school. It was my first introduction into the meeting of science and spirit and the universe and big thoughts and all of those interesting New Age-y concepts. It made everything make sense to me and opened up my mind.
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I don't think anyone should be banned. If you don't like a book, set it aside.
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For me, one of the hallmarks of a really great book is that I'm seeing it in my head while I'm reading.
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Your agent should be invested in the success of your book past the contract stage. After all, if it sells well, she's going to be getting 15 percent of every dime you make. She can be your best advocate in fighting for your book - not just with editing and the cover, but with marketing and sales as well.
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One of the things I regret about not putting in that book or I think it's there but I didn't really elaborate on it, is contraception. I came across someone who articulated very clearly that one of the things which makes our approach to Buddhist practice in regards to sex different these days than it was in Buddhist times, is the simple existence of reliable contraception, which is a no brainer but I missed really addressing it in the book.
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Los Angeles is a city of few hard targets. Its iconic buildings are private spaces, mostly residential, visible by invitation only or in the pages of a Taschen book. Its central industry is as mirage-like as the projection of light on a screen.
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We think of writing a book as a process, but the very word - process - suggests that there is one: a template to follow, a map to guide us. If that were true, someone would have surely figured out some marketable method we could all buy.
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Anyways, I am a nerd, bookworm, geek... whatever you want to call me. I'm the type of person that would rather sit down and read a good book than go out and party.
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You do not chop off a section of your imaginative substance and make a book specifically for children, for - if you are honest - you have no idea where childhood ends and maturity begins. It is all endless and all one.
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I don't know David Cameron very well. I like him. I think you can judge a book by its cover - whoever said you can't is wrong - that's the whole point of nature giving us intuition, instinct and so on. I think the cover is pretty good.
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I think everyone is introduced to the Peter Pan story when they're very young. Everyone has read the book and watched the Disney film and all that.
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With a photograph, you are left with the same modes of interpretation as you are with a book. You ask: 'What do we know about the author and their background? What do I know about the subject?'
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There comes a point in nearly every book event I've done when a little feminist revolt stirs inside the crowd.
