Book Quotes
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You do not chop off a section of your imaginative substance and make a book specifically for children, for - if you are honest - you have no idea where childhood ends and maturity begins. It is all endless and all one.
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I was sitting in the toilet and I was by myself. I was tired of playing with the roller, so I said I'd better write a book.
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A cashmere knit is like a book. It is something to save and go back to time after time. It is the feeling of an embrace.
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With a photograph, you are left with the same modes of interpretation as you are with a book. You ask: 'What do we know about the author and their background? What do I know about the subject?'
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I love going on book tours because it's an opportunity to connect with the people that matter most to my brand.
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I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.
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I'm sort of contrary and stubborn sometimes. When everybody says, 'You have to read this book! You have to read this book!' I'm like 'Oh, I'll get around to it.'
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My favorite book in life is 'A Wrinkle In Time,' which I read before high school. It was my first introduction into the meeting of science and spirit and the universe and big thoughts and all of those interesting New Age-y concepts. It made everything make sense to me and opened up my mind.
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Now there is one outstandingly important fact regarding Spaceship Earth, and that is that no instruction book came with it.
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I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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I think everyone is introduced to the Peter Pan story when they're very young. Everyone has read the book and watched the Disney film and all that.
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For me, one of the hallmarks of a really great book is that I'm seeing it in my head while I'm reading.
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The mood in which my book was conceived and executed, was in fact to some extent a passing one.
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One of the things I regret about not putting in that book or I think it's there but I didn't really elaborate on it, is contraception. I came across someone who articulated very clearly that one of the things which makes our approach to Buddhist practice in regards to sex different these days than it was in Buddhist times, is the simple existence of reliable contraception, which is a no brainer but I missed really addressing it in the book.
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The Bible is the book of my life. It's the book I live with, the book I live by, the book I want to die by.
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I make no promises every book will be about Chicago, but it's so inspiring. It's a city of such contradictions. I love to write about it.
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We think of writing a book as a process, but the very word - process - suggests that there is one: a template to follow, a map to guide us. If that were true, someone would have surely figured out some marketable method we could all buy.
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I don't know David Cameron very well. I like him. I think you can judge a book by its cover - whoever said you can't is wrong - that's the whole point of nature giving us intuition, instinct and so on. I think the cover is pretty good.
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When me and my author friends who write about other difficult subject matter... when you hear from teens daily saying, 'Your book helped me or made me understand a friend better, what somebody else is going through,' you see the positive things.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I'm a writer because I love reading. I love the conversation between a reader and a writer, and that it all takes place in a book-sort of a neutral ground. A writer puts down the words, and a reader interprets the words, and every reader will read a book differently. I love that.
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As a child, I had the opportunity to meet the captain onboard a British Airways flight. It was so exciting to see the cockpit and controls. I was in awe of the captain, and he stamped my log book, which I still have to this day.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
