Book Quotes
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In a mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer and I take up my pen to write.
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My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
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When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
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Graphic novels let you take risks that just wouldn't fly in the conventional book form.
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Today I begin to understand what love must be, if it exists... When we are parted, we each feel the lack of the other half of ourselves. We are incomplete like a book in two volumes of which the first has been lost. That is what I imagine love to be: incompleteness in absence.
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Another thing that's quite different in writing a book as a practicing newspaperman is that if you look at what you've written the next morning and you think you didn't get it quite right, you can fix it.
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A lot of people say writers start losing their powers after 60 or 65. But I look at the best-seller list and see a book by that 14-year-old gymnast, Dominique Moceanu, and I think, 'Now, what's she going to tell the world? And these 25-year-old rock stars, what are they going to tell the world?'
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I read the Steve Jobs book, and that kind of changed everything. I've been, like, an Apple geek my whole life and have always seen him as a hero. But reading the book, and learning about how he built the company, and maintaining that corporate culture and all that, I think that influenced me a lot.
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Just personally, I've been attached to 'On the Road' since 2007 and it was the greatest thing in my life when I got cast in it. I couldn't believe it. When I was 17 and read the book, I looked it up on IMDb and it said that Francis Ford Coppola was going to direct it.
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I was never able to praybut let me inscribe my namein the book of waves.
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Bookstores see a book by a woman and they put it in the romance section.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake.
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Teens are not like the weird, dumb dwarves you have around your house. They are actually you when you were younger. Why not write a book which is as sophisticated as a book for an adult, but is about the concerns that teenagers actually have?
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You're not a historian, but most historians will tell you that they make very discrete judgment as to what facts to omit in order to make their book into some shape, some length that can be managed.
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There comes a point in nearly every book event I've done when a little feminist revolt stirs inside the crowd.
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I'd love to have a 19th Century Russian book club where all the members had to act like the pretentious minor noblemen they were reading about.
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Going out at night and having a fabulous social life takes a lot out of you, and I don't know if I have that much to give, honestly. I would rather give that time to my kids or spend that time reading a book or watching a film. I am selfish and lazy.
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I get mad when people call me an action movie star. Indiana Jones is an adventure film, a comic book, a fantasy.
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I was in Kenya when I read 'Catch-22,' and I associate this book that has nothing to do with Kenya - whenever I think of 'Catch-22,' I think of Nairobi.
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You have plausible deniability, as they say in politics, as an author with movies. Because if the movie is terrible, you simply say they failed to catch the genius of the book.
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The attempts to command the climate and decide about the temperature on our planet are wrong and arrogant. I wrote a book about it which was published in English under the title 'Blue Planet in Green Shackles.'
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I've found that in fiction - and this is just the kind of writer I am - I can't really work from an outline. I have a vague idea of the characters at the beginning of the book, and then I have a vague idea of whatever the end of the book will be, but I can't approach creative nonfiction like that.
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During my second draft pass on my last book I made 20,000 words happen in a week, which is practically supernatural for me, and it would never have been possible without three nights in a hotel in my own city.
