Book Quotes
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We want a book to be a book. We'll have all the interactive bells and whistles but our intent is to engage young people in reading, not to show them a movie.
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The Marvel universe is a deep, weird, woolly place, and getting to expose strange corners of it is part of the fun of 'She-Hulk.' Honestly, it's part of the fun of any Marvel book.
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I think every writer has a book that haunts them, and on some level, every book you write is a reaction to it. 'Lolita' is that book for me. Nabokov's love of wordplay, descriptive detail, artfully complex plots, and his themes of obsession and lost love, are inspiring.
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Everything that I do is very autobiographical. I'm trying to be as much of an open book as possible and give the audience every single piece of me.
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I begin a book with imagery, more than I do with an idea or a character. Some kind of poetic image.
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Writing music is just like writing a book.
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I think the 'Boxers' book was easier for me to envision as a comic, because they were on this epic journey. These teenagers basically gathered into this army and marched to the capital city where they had a showdown with the Europeans and Japanese. On the 'Saints' side, it was a lot trickier.
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I was a late bloomer. I was 38 when my first book was out and 43 when my first crime novel was out. I had a story that could only be told as a crime story. I think the genre is good; it deals with the fundamental questions of life and death. The problem is there are too many bad crime stories.
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Books are my very favorite gift to give. If you give a book to someone and they really respond to it, you feel you've actually changed their life in some way.
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Copernicus stuck very closely to the facts, but in Kepler I invented freely, and it's a much better book because of that.
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I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All of it's riddled, on- and off-camera, with people I've known and worked with for decades.
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As I plotted 'Blueprints,' I realized that ageism against women is most obvious in the field of entertainment - and that I needed a TV show in my book.
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Each book requires a different look. Sometimes I get to take a personal direction that's appropriate for the story. I try to push things within a range. Some are rougher, some more expressionistic, some are slicker graphically and call for a prettier drawing style that I can do. Some have a more classical vibe, and some are in between.
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The challenge with 'Watchmen' is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It's one of those things where, over time, it has happened more.
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It is a pity to make a mystery out of what should most easily be understood. There is nothing occult about the thought that all things maybe made well or made ill. A work of art is a well-made thing - that is all. It may be a well-made statue of a well-made chair or a well-made book. Art is not a special sauce applied to ordinary cooking; it is the cooking itself that is good. Most simply and generally, Art may be thought of as "The Well Doing of What Needs Doing."
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An avid reader, I never missed a book by Judy Blume or Agatha Christie. They both remain two of my favorite authors. If I could have combined these ladies into one person, that's who I would have wanted to be when I grew up.
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The first book that they gave me was Jeannie, a young teenager. I went on with her maybe ten books.
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I began to ask two questions while I was reading a book that excited me: not only what was going to happen next, but how is this done? How is it that these words on the page make me feel the way I'm feeling? This is the line of inquiry that I think happens in a child's mind, without him even knowing he has aspirations as a writer.
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I love reading; I really enjoy it. I read books quite fast, which kind of annoys me, but I like it at the same time because I can read a book in a day.
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A fine book, in the perfect setting, when there's all the time in the world to read it: Life holds greater joys, but none come to mind just now.
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Once the government can demand of a publisher the names of the purchasers of his publication, the free press as we know it disappears. Then the spectre of a government agent will look over the shoulder of everyone who reads. ... Fear of criticism goes with every person into the bookstall. The subtle, imponderable pressures of the orthodox lay hold. Some will fear to read what is unpopular, what the powers-that-be dislike. ... fear will take the place of freedom in the libraries, book stores, and homes in the land.
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'Your Erroneous Zones' was the book that went over the top simply because I believed in it so much.
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I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
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I don't want to turn 50 and say, 'Gosh, I wish I'd lived in that part of the world for a time. I wish I'd read that book by Faulkner.' I want time to delve back into Thoreau and Kafka.
