Book Quotes
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I've got no particular desire to play ten minute solos. Those were never valid anyway in my book - never. It was just a cheap way of building up a tension in the audience...A solo should do something; it shouldn't just be there as a cosmetic. It should have some aim, take the tune somewhere. I'm not saying I can do it, but I try and take the tune somewhere.
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In order to read one must sit down, usually indoors. I am restless and would rather sail a boat than crack a book. I've never had a very lively literary curiosity, and it has sometimes seemed to me that I am not really a literary fellow at all. Except that I write for a living.
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I do have a television over there - it was a gift - but I never turn it on. I'd rather read a book.
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Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
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To read a paper book is another experience: you can do it on a ship, on the branch of a tree, on your bed, even if there is a blackout.
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On a couple of occasions in the last weeks, I just said some things that weren‘t in keeping with what I knew to be the case and what I had written about in my book. And you know, I‘m embarrassed by it. I‘m very sorry I said it. I have said that, you know, it just didn‘t jive with what I had written about and knew to be the truth.
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When God writes our names in the 'Lamb's Book of Life' He doesn't do it with an eraser handy. He does it for eternity.
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I have on my bookshelf a book called 'Movie Monsters' by Alan Ormsby, a kids' book I got when I was in kindergarten. It started there.
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Alternative cartoonists have to rely on comic book stores to get their stuff in the hands of readers.
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The great artists of the world are never Puritans, and seldom even ordinarily respectable. No virtuous man - that is, virtuous in the Y.M.C.A. sense - has ever painted a picture worth looking at, or written a symphony worth hearing, or a book worth reading.
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The difference between 'Watchmen' and a normal comic book is this: With 'Batman's Gotham City,' you are transported to another world where that superhero makes sense; 'Watchmen' comes at it in a different way, it almost superimposes its heroes on your world, which then changes how you view your world through its prism.
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I would say what you have to do as a screenwriter is strip the book back to find the skeleton. When you've found the skeleton - that's what you trust - you reclothe.
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I don't want to turn 50 and say, 'Gosh, I wish I'd lived in that part of the world for a time. I wish I'd read that book by Faulkner.' I want time to delve back into Thoreau and Kafka.
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My first book, 'Running Loose', was censored back in 1983 or '84. Every book I've written since has been censored somewhere.
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Find out if your radio interviewer has read your book, or you are going to have to do that part of the job on air. It's okay if they haven't, but it's always better to be prepared for what's coming.
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I'd love to do an action film. I'd love to do a film based on a book series; I love to read the book and then go see the movie. I'd love to have a show on Disney; I love working for them. And I'm also working on getting some new music out of my own.
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Gil Thorpe is a great diversion and is to book writing as poetry is to prose.
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My first novel, 'John Crow's Devil,' freed me up to write about the past, and 'The Book of Night Women' freed me up to have a book totally based on voice and being very spontaneous.
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A writer can spend a decade working obsessively on a novel, but in the commerce of publishing, many of the most important decisions about any book will be made based on very short pitches - from literary agent to editor to sales rep to bookstore buyer to a potential reader standing in the bookstore, asking, 'What's it about?'
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When a book goes well, it abandons me. I am the most abandoned writer in the world.
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To write fiction is to think that you're doing it wrong - that your work habits are inhibiting you; that you've chosen the wrong subject; that you've chosen the right subject, but that someone else has, unbeknownst to you, already written exactly the book you're laboring over.
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At school I was always trying to con my teachers into letting me act out book reports instead of writing them.
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I've mis-signed many a book Rollins or Clemens. My readers quickly become aware. Booksellers will often promote me under both names, and I do plug both at signings. Generally, the fantasy reader has no problem going into the suspense genre. It's harder for the typical suspense reader to go the other direction.
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I bought a book with guitar tabs and forced myself to learn. I would go to school and then come home and sit in my room for hours figuring out the songs.
