Screen Quotes
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The comedies I have been in that have been successful were the ones where the set was the most tense. It seems that the comedies where you have a real nice time on the set, the film just sits there on the screen. Now that just may be the pictures I have made, I don't know.
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Between me and A.J. , we felt that our fans deserved something better than some half-assed VHS-video someone shot years ago with a lame angle or focus, and has nothing but a snow-covered screen. I see shit like that on eBay all the time, and fans deserve something better.
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We can rarely see things from the point of view of another person because we look at the facts through the screen of an impression or an interest which distorts our view; and then there are accusations, quarrels and misunderstandin.
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Probably 95 percent of the things that are written never get on the screen.
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Making movies is like a circus. You get together for a finite amount of time and you build the most extravagant thing you can, which requires teamwork. Most people don't know, but when you see something on screen, it looks perfect. If you go behind the scenes, things are very archaic. You only see the front of the building, not the back.
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It was a show that you played at home and you're saying to the contestant do this and do that. When you at home are involved in yelling at the screen, then you know you've got an audience.
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There's what is on screen and then for us, it's if you get along with the people and enjoy showing up at work.
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I've learned to keep my work on the stage or on the screen.
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We view films in the context of darkness. We sit in darkness and watch an illuminated world, the world of the screen. This situation is a metaphor for the nature of our own vision. In the very process of seeing, our own skull is like a dark theatre, and the world we see in front of us is in a sense a screen. We watch the world from the dark theatre of our skull. The darker the room, the more luminous the screen.
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Our goal is to have YouTube on every screen - to take it from the PC to the living room and the mobile phone.
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Acting on a blue screen is awful.
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Audiences make their minds up about people they see on screen, just like they do in real life. That's what fascinates me in film. You see a character and have to think: is this person different to what I assumed he was when I first saw him?
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Getting tired of sitting, staring at my computer screen, day after day, where everyone is two-dimensional, reduced to an avatar photo, status updates, or maybe some carefully curated vacation photos. There's something exhausting about that after a while. I found myself wanting to hear voices.
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I mean, the paradox is that whereas the screen, it seems to me - the cinema can absorb endless amounts of music, it cannot really with comfort absorb large amounts of words. Not nearly as many words, that is to say, as a stage can.
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Victor Mature was a big man; he had a great swagger. I liked him and I knew we'd be good together on screen.
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Women look really sexy doing action on-screen, and it is my favorite genre.
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I dont like to watch myself on screen because in my mind there is a touch of George Clooney about me, but when I see it, there is more than a little Donkey from Shrek about me.
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During the screen test for 'Red Widow' was the first time anyone ever told me that I was good at auditioning.
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An air of anticipation hung over the lab. The pied crow—whose name, according to Tasha, was Pitch, and who had been raised in captivity, bouncing from wildlife center to wildlife center before winding up living in my sister’s private aviary—gripped her perch stubbornly with her talons and averted her eyes from the screen, refusing to react to the avatar that was trying to catch her attention. She’d been ignoring the screen for over an hour, shutting out four researchers and a bored linguist who was convinced that I was in the middle of some sort of creative breakdown.
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Fervid atheism is usually a screen for repressed religion.
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I'm one of those people that think that what you put up on screen, no matter how you're stating it, is usually an advertisement for it. Even if I'm saying "it's really bad to do this, or it's really good to do this" - regardless, the fact that it's on film, presented in this huge way, is appealing.
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Not all stories are meant for the big screen.
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There was more good acting at Hollywood parties than ever appeared on the screen.
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In a book you can really talk about ideas and themes and characters in a deeper way than you can even on the screen.
