Disney Quotes
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I got to do Disney Sunday movies. I got to do a TV pilot there. And it really helped me to realise that I needed to not just be a writer, but a producer, to see my work up on the screen the way I wanted it to look and play.
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I signed on with Disney to star and choreograph an original film.
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I feel kind of fortunate that over the last 25 years I've been in almost every Disney/Pixar film.
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The great dream merchant Disney was a success because make-believe was what everyone seemed to need in a spiritually empty land.
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I learned my first lesson at the Walt Disney Company about not being able to trust my associates.
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Plenty of Disney kids are perfectly normal and love what they do. But you always hear about the people who aren't doing well. It's kind of like the squeaky wheel.
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'Frozen' is a phenomenon on an entirely new Disney scale.
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In overseeing both Disney and Pixar Animation, each studio has a unique culture.
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What happened in the early days of Disney is that Walt Disney used all of the new technologies as they came out. When matting came out, they adopted it. They adopted sound and color and xerography. Walt did that. And then, when he died, people began to think that this is just about making films, so they stopped bringing in new technologies.
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I've been connected to the most culturally important albums of the past four years, the most influential artists of the past ten years. You have like, Steve Jobs, Walt Disney, Henry Ford, Howard Hughes, Nicolas Ghesquière, Anna Wintour, David Stern.
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People I get the most star-struck by are people I've sort of grown up with watching. So, for example, working with Debby Ryan, when I first met her, I was a bit nervous and a bit star-struck because I had grown up watching her TV shows on the Disney Channel.
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I don't have any [specific] intelligence about a Vice-Disney deal, but I do know that everybody's nervous about these emerging players, who can come in and have enough attractive, original content to take market share.
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The Walt Disney Animation studio is the studio that Walt Disney started himself in 1923, and it's never stopped and never closed its doors and never stopped making animation, and it keeps going as kind of the heart and soul of the company.
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I went to my agent and told them, 'I want to be on another Disney show.'
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Walt Disney was a master of the human psychology. His sense of timing, sense of speed. In a sense, those cartoons are like Rorschach tests.
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Pixar's short films convinced Disney that if the company could produce memorable characters within five minutes, then the confidence was there in creating a feature film with those abilities in story and character development.
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More than just a zoo, the Animal Kingdom is an extraordinary experience of animals, rides and performances. The exhibits have the scale and creativity you associate with Disney. The African safari ride is terrific and worth riding several times.
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Anything that has the Disney name to it is something we feel responsible for.
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When I was a freshman in high school, I read a book about the making of Disney's 'Sleeping Beauty' called 'The Art of Animation.' It was this weird revelation for me, because I hadn't considered that people actually get paid to make cartoons.
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This is a Disney animated feature; it's eternal, it's history. What's there to think about'
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Look at the films of Walt Disney: 'Snow White' came out in February 1938, and I can't think of another film from that year that's watched as much. The same is true of 'Bambi,' 'Dumbo'... even, frankly, 'Toy Story,' which is probably watched more than any other movie of 1995.
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It's a new era at Disney. From now on, Snow White and the Seven Dwarfs will be known as Person of No Color and the Seven Vertically Challenged Individuals.
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Walt Disney always said, 'For every laugh, there should be a tear.' I believe in that.
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Why would I ever want to run Disney? Wouldn't it make more sense just to sell them Pixar and retire?