Disney Quotes
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I did this film called 'Prom.' It was a Disney movie. And at that point, I didn't know what the hell I was doing. I had no idea how to act. It was purely instinctual. I just remember the first scene I did and the first take, it feeling so right.
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I support Children's Hospital of Los Angeles through Disney Channel and Britti Cares International in support of children with various diseases and illnesses and donate my time with pride and dignity.
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Disney World is exactly the wrong description of how the Secret Service should operate in public. Their jobs are not about pleasing adults and children, but rather protecting the president and the first family.
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Of course, I remember the Disney 'Pinocchio.' I was a little kid then... It was very instructive. Little boys who don't behave wind up in lots of trouble.
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From baby time to now, I wanted to be a Disney princess, and then I wanted to be a singer or an actress.
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The way we got Phil Collins for 'Tarzan' was that we heard around the studio that he was looking for a Disney project, and we got him. It seemed like a perfect match. Phil is a great musician.
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Mr. Disney and his staff were constantly scouting for great stories to bring to life on film.
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I wrote 'Don't Look Back' in November 2011, and when I wrote the novel, it wasn't contracted, so there was a freedom in that - no expectations or anything like that. It was also my first contemporary novel I'd written and sold, which was to Disney/Hyperion in January of 2012.
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Walt Disney was not a merchant of sadness.
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I joined Walt Disney, went to work, December 2nd 1935, so obviously, I'm not too young!
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No one thought that the Disney Superpower had the ability to laugh at itself, but 'Enchanted' proved everyone wrong.
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Everyone loves Disney, it just has a special place in everyone's heart.
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When I auditioned for 'Jessie,' I knew that Disney Channel basically will do 100 episodes of a show if it's a hit; they'll stick with something. It's a great network to work with because they make a nice big commitment to a show.
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It doesn't matter whether it comes in by cable, telephone lines, computor, or satellite. Everyone's going to have to deal with Disney.
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You have to realize that when I started to work on 'Aladdin', Disney Theatrical wasn't in existence. I suppose I had always hoped that 'Aladdin' would be somewhere on the runway.
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So many people from the West are coming into India, all the studios have come into India, and they're making films here, whether that's Fox, Warner Bros, Disney, everyone. That stands as testament for us, so why are we afraid of sharing our talent with the world? We must.
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I mean, frankly, I'm not speaking as a representative of Disney or Pixar, I'm speaking as just myself as a filmmaker: I don't go into anything that often thinking about a sequel.
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It is so exciting to get a phone call saying you're going to be working on a Disney film.
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I wasn't into fairytales when I was little. I was of the generation of the earlier Disney films where many of the female characters, with the exception of the Maleficent's, were not little girls that I admired... the little princesses. They weren't characters that I identified with. I think that's very different now for my girls and more recent films.
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The value of the television network is partly tradition, serving as a navigation device and as a brand. Research shows that people do know and understand ABC as a brand, like Disney.
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Part of the Disney success is our ability to create a believable world of dreams that appeals to all age groups. The kind of entertainment we create is meant to appeal to every member of the family.
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Coming from The Disney Channel, anything I do is going to offend somehow, somewhere, somehow.
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I'm not making music for people who like Disney shows. I make music for people who like music.
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If I would use anything from 'The Little Prince,' even some little quote, it's all copyrighted in France. Like Walt Disney in this country, it's a national treasure.
