Disney Quotes
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The best holiday I went on as a kid was to Disney World. I wore the same Minnie Mouse dress for 5 days straight and refused to go on any rides apart from It's A Small World. I think my parents wanted to kill me.
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I remember having a feeling like, 'I can't believe this is happening!' Two years ago I was auditioning for The Disney Channel, and now Paul Rudd is saying, 'Hey man, congratulations on your Emmy nomination!'
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I have tremendous brand experience. What I do a lot for Disney is manage the great brands of this company, whether it's Disney, ESPN, ABC, Pixar, Marvel, 'Star Wars.' And I'm very engaged in technology and its impact on the consumer, either what experience you deliver for them or how to market and sell to them.
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When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
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I have made 34 pictures, 10 of them for Disney, and none of them for Disney were really bad characters. So I think that recently I have kind of begun to hide behind certain actor's devices in order to make a dividing line between what I used to do and the characters I have been asked to do today.
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Working for Disney for the last eight and a half years, people come and go - production staff and actors. I stepped onto the sound stage and it was a literal time warp.
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In market valuation, Yahoo is worth about as much Walt Disney and the News Corporation combined.
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Everyone loves Disney, it just has a special place in everyone's heart.
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I'm saddened to see that some have been misled into believing that Mr. Disney was something other than a kind, caring man.
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I certainly did not envisage making a Disney movie. The most I hoped for was to be able to pay my bills. I was not a go-getter. I was very type-B.
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Before Disney, I did other shows so I was aware of the business. They're all the same in that they're a professional environment. The only difference between a Disney show and other network shows are in the age of the actors you're working with and the age of the intended audience.
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A lot of my income has been derived from voicing Disney and family programming.
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Moana is definitely a Disney heroine. She's wonderful, empowered, empowering.
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Mr. Disney believed everyone was still a child deep inside.
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Remember, I'm someone who got fired from Disney and eight days later started the first studio in 65 years with two of the most brilliant, successful people in the history of the entertainment business, doing something everyone said was somewhere between improbable and impossible. I'm afraid that's exactly what I love doing.
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I took a lot of influences from Studio Ghibli, which is the Japanese animation studio that made 'Spirited Away' and 'Castle in the Sky.' They're like the Japanese version of Disney - but without all the schmaltz.
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I used to watch, on television on Sunday nights, they had the Disney hour then and the castle coming up and 'When you wish upon a star... ' That was my very first Disney memory.
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There's no reason to think Disney is going to stop wanting to make 'Star Wars' movies if there's quality and there's interest. It has unlimited potential. It has a huge number of characters, worlds... It's a massive playground.
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People talk a lot about, 'You're a Disney princess! You're Cinderella!' and this and that. But for me, it's all about the fact that I worked with Cate Blanchett and was directed by Kenneth Branagh. That's the 'Cinderella' story for me.
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I have an affinity for Disney and the Princess.
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Disney World is exactly the wrong description of how the Secret Service should operate in public. Their jobs are not about pleasing adults and children, but rather protecting the president and the first family.
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I took a job at the Walt Disney Company and after 18 months decided to go to business school at Harvard. I was awestruck by the campus. My first reaction was 'I don't belong here.' Then I said, 'I'm here; let's get on with it.'
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I wrote 'Don't Look Back' in November 2011, and when I wrote the novel, it wasn't contracted, so there was a freedom in that - no expectations or anything like that. It was also my first contemporary novel I'd written and sold, which was to Disney/Hyperion in January of 2012.
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I saw 'Sleeping Beauty' when I was, like, 6 years old at the Mercury Theatre. Then, when I came to Disney, I was in the company of these wonderful artists. People like Glen Keane, like Mark Henn, who were brilliant animators who could really bring these things to life.
