Disney Quotes
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I go to the movies, and I watch MTV and the Disney Channel. I admit I like 'Hannah Montana.'
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Our company has been very forward-thinking about digital technology and the opportunity that it gives us. As we move into a world where we have more and more devices at our disposal, that really means more and more opportunities for the Walt Disney Co. to reach you: through our entertainment, through all of our divisions.
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My daughter is one of the associate producers on two shows for Disney. I am really proud of her.
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I'm a collector of cartoons. All the Disney stuff, Bugs Bunny, the old MGM ones. It's real escapism, it's like everything's alright. It's like the world is happening now in a far away city. Everything's fine.
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Marx was fortunate to have been born eighty years before Walt Disney. Disney also promised a child's paradise and unlike Marx, delivered on his promise.
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All I've been a part of has been thanks to the Disney company: the job, experience, travel, opportunities have come thanks to Disney. Working for Disney was not part of my original plan, but it was part of God's, and it shows that God is still moving.
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The only way I was going to come back to the Disney Channel was if I was in a position of more power.
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Disney represents the future of filmmaking in North America.
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When I was 10, we drove to Disney World. When we arrived, what impressed me most was the meticulous attention to detail; there wasn't a gum wrapper anyplace.
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I think jewelry is beautiful on all women and I think it's sentimental - and Disney is sentimental. It's subtle and it's low-key and it's just a sweet reminder of sweetness.
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Sunday night was such a big night for television when I was growing up - you know, The Wonderful World of Disney.
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I grew up on Disney movies and, as a kid, I always liked the villains.
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Pornography takes all the reality out of sex and Disney does that to family life.
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Jim Cummings, Whoopie Goldberg & Cheech Marin make up this famous Disney threesome.
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I've ended up working with Disney a lot, which is kind of peculiar. In theater, I've done a couple of projects with them and written a couple movies and whatnot.
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I grew up when Disney was doing movies like Cinderella, and all the girls were princesses.
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I remember meeting the princesses at Disney World and getting their autographs.
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People go to Disney because they know its brand attributes. We believe we have an opportunity to go with our content directly to consumers.
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The best holiday I went on as a kid was to Disney World. I wore the same Minnie Mouse dress for 5 days straight and refused to go on any rides apart from It's A Small World. I think my parents wanted to kill me.
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I got into a fight with Walt Disney: I always pick the wrong people to fight with.
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After Pixar's 2006 merger with the Walt Disney Company, its CEO, Bob Iger, asked me, chief creative officer John Lasseter, and other Pixar senior managers to help him revive Disney Animation Studios. The success of our efforts prompted me to share my thinking on how to build a sustainable creative organization.
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I certainly did not envisage making a Disney movie. The most I hoped for was to be able to pay my bills. I was not a go-getter. I was very type-B.
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When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
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Between the theme parks and the movies, the Disney iconography was probably the first set of archetypes that I was exposed to. Walt was able to expose me as a child to the full array of emotions, including fear and sorrow. Those movies and attractions haunted my dreams and made a deep impression on me as a child.
