Chicago Quotes
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In the States, it takes you a lifetime just to get from Chicago's South Side to the West Side.
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In Chicago, I'd audition 3-4 times a week, but when I got out to L.A., there were, like, 4-5 a day, and my skin got really thick.
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I love that movie 'Chicago.'
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The beach is still a public place, and that's an amazing grace about Chicago. We have so many problems, but the water always stays. That inspires me and keeps me inspired about the city and keeps me hopeful.
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You can use up all the slums for new development. In all the cities of the world, there are large areas of these. Also, you can avoid the spread of these silly suburban houses. Chicago has thousands of them all over the place.
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I think about Chicago as being a very actor-centered theater town, and people aren't in it to get to the next level, like movies and television. We're there for the love of the theater. So I think it fit right into my particular skill set, which is I love performing live.
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First of all, I'm a Midwesterner, being from Kansas, and Chicago is basically a big Midwestern cow town. It was built from the stockyards, and everyone is very friendly, and it's at the edge of the tallgrass prairie. There's just a good feel to it.
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I think people look at dance music and see it as kind of a bad thing, and bad people hang out in nightclubs, but it never felt that way for me. Growing up in Chicago, music was the thing that saved me, that kept me on the straight and narrow.
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The credit for much of this rightly belongs to the late Mayor Daley who forged a coalition of business and labor that kept Chicago always moving ahead.
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I used to watch a lot of American and British television as a child, which helped teach me the language and accents; it was partly that which landed me the part of Roxy in a London production of 'Chicago' when I was 25.
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The good things about Chicago save me on a daily basis, like getting to work with my students, seeing a beautiful part of the city, or seeing the people that I love.
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[ William Ayers] is an example of what I'm talking about. This is a guy who lives in my neighborhood, who's a professor of English in Chicago who I know and who I have not received some official endorsement from. He's not somebody who I exchange ideas from on a regular basis.
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I think Chicago is the best city in the country, hands down, but I don't like the winter there anymore.
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We hate Chicago and Chicago hates us and unfortunately he's on the other team and he's the big gun.
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I think it's so dope that I'm here in Chicago and contributing to the music scene that's thriving. People are so happy Chicago's shining that everyone is willing to say 'I represent Chicago.' That wasn't always the case.
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It's nice to be able to work; I'd love to be able to do another TV show I could do in Chicago so I could live and work in the same place. It's hard being a parent and being in a good marriage, and it all takes a lot of work, but if you're not there you can't do any of it.
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The thing that kept bringing us back to Pete's movie is that it was a story about real people. It (also) had a very specific locale; Chicago is to this movie what Boston was to 'Good Will Hunting,' ... It was enormously heartfelt and, ultimately, nobody could deny being moved by his story.
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In 1971 I returned to the University of Chicago as Professor of Physics.
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Chicago has a strange metaphysical elegance of death about it.
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When I left Chicago, people said, 'Careful with that Texas heat'. I'm like, 'I'm from Puerto Rico. I know heat.'
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I'd been acting in Chicago since I came back after University, and I got a call from my agent saying, 'They're doing this revival of 'On a Clear Day,' and I actually auditioned when the team came through Chicago for the 'American Idiot' tour.
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From sublime affairs of state to the stark and vulgar popular culture of our own contemporary lives, let's make this descent into the lower registers together and recognize the good, nasty fun of 'Gone Girl,' Chicago writer Gillian Flynn's novel about the mysterious disappearance of a clever and deceptive young Midwestern housewife.
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I hold strongly to my identity as a Chicago artist and want to do whatever I can to participate in creating a strong community here so that artists don't feel pressure to move somewhere else to succeed.
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Chicago is definitely more of a country place now. The friends who I thought never in a million years would like country now are huge fans. I love that.