Novels Quotes
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The only form of fiction in which real characters do not seem out of place is history. In novels they are detestable.
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In modern novels I try to not let myself get away and to be here, and that's why I write about my life and myself. But even when I do that there's an element of disappearing to a place that's not me. It's "the selflessness of writing". It seldom happens, but when it does it's worth quite a lot.
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But are they all horrid, are you sure they are all horrid? [Referring to Gothic novels, fashionable in England at the beginning of the 19th century, but frowned upon in polite society.]
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It always strikes me how almost unbelievably bad are the early versions of my novels.
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I've read enough novels to know just how much time & energy it takes to fall in love and I just don't have the time.
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Whenever anyone declares having read a book of mine I am disappointed by the error. That’s because my books are not to be read in the sense usually called reading: the only way it seems to me to approach the novels that I write is to catch them in the same manner that one catches an illness.
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I don't write romance novels.
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Filipinos are not a reading people, and despite the compulsory course on the life and works of Rizal today, from the elementary to the university levels, it is accepted that the 'Noli me Tangere' and 'El Filibusterismo' are highly regarded but seldom read (if not totally ignored). Therefore one asks, how can unread novels exert any influence?
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It would be unthinkable to have a top-ten list of multiple narrative novels that doesn't include David Mitchell. 'Cloud Atlas' is the most obvious choice, but I have opted for Mitchell's slightly lesser known debut, 'Ghostwritten.'
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In my spare time I didn’t go out, I sat and read novels I got from the library: Grazia Deledda, Pirandello, Chekhov, Gogol, Tolstoy, Dostoyevsky.
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To have her meals, and her daily walk, and her fill of novels, and to be left alone, was all that she asked of the gods.
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Life isn’t easy. Love isn’t easy. Fairy tales are books we read to children. Romance novels are books that make teenagers dream of love and happily ever afters. I’m here to tell you my story. This is my diary. This is my life. This is my truth. You can’t make this shit up.
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Many great novels have shown a world torn to shreds by the brutality of war. To do so, their authors ground their texts in the details of destruction and decay.
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Modesty and conscientiousness receive their reward only in novels. In life they are exploited and then shoved aside.
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Horror and supernatural novels give you a lot of what you look for in a crime novel, just with a twist that was very fresh for me as a reader.
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Few real people appear in my two novels, actually. "Ari" appears on the edge of this book a couple of times - but on the edge, she's never in it, even if she's a determining force from the outside. Everybody in the first book was basically made up, if never from scratch.
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If I had my way no one should be taught to read until after he had passed his hundredth year. In that way, and in that way only can we protect our youth from the dreadful influence of such novels as 'Three Cycles, Not To Mention The Rug,' which dreadful book I have found within the past month in the hands of at least twenty children in the neighborhood, not one of whom was past sixty.
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People without hope not only don’t write novels, but what is more to the point, they don’t read them. They don’t take long looks at anything, because they lack the courage. The way to despair is to refuse to have any kind of experience, and the novel, of course, is a way to have experience.
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The structure of my novels has nothing to do with the narrative mode of cinema. My novels would be very difficult to film without ruining them completely. I think this is the area where writers need to place ourselves: from a position of absolute modernity and contemporaneity, creating a culture of objects which cinema cannot.
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I think that novels are one of the best means that we have to communicate both with the past and with the future.
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I always read a lot as a kid and I'd spend long periods of time in my room reading... I wasn't reading anything great until I got older, but I used to read Agatha Christie mysteries and all of Ian Fleming's 'James Bond' novels.
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Wonderful thing about novels is that sometimes we read a novel and we know the person in the novel more than we know people in our own lives.
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We have this huge discourse on family in this country, but no one deconstructs it the same way. People talk about "the American family." The right wing has this thing - Focus on the Family. What the hell is that? I don't want to just discuss the issues - I want family to be a real part of the character of the novels I write, and I don't like to write things that feel like issue books.
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There are many reasons I love novels with multiple narratives. In novels where the events are filtered through the consciousness of a single 'reliable' narrator, I often wonder, is this the whole story? What could be missing here?
