Dance Quotes
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How do you expect to learn to dance when you have not even learned to walk! And above the dancer is still the flyer and his bliss.
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We can co-create this change. Spreading the word, learning to treat others with love, acceptance and forgiveness, and bravely stepping up to do our part... it's all part of the great dance of life. You don't have to sit back and wait for it. The most powerful gateway to the universe you have is the present. All the work of so many lifetimes is ultimately completed in a single instant - and you can choose whenever that will be.
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If you want to make people dance, you need to follow certain rules. Build-ups and breaks and stuff. I like to be free. On top of it all, I never really felt that I'm good at making fat-sounding dance tracks.
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Disco music in the '70s was just a call to go wild and party and dance with no thought or conscience or regard for tomorrow.
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I've always known that I wanted to sing, and I wanted to dance, and I wanted to act.
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When I am not working, I go to the movies, text my friends, my thumbs are faster than lightening on that keyboard!, write songs, sing, dance, Facebook, Twitter and spend time with my besties. I am also a songwriter and I love to write about my life experiences.
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When you dance,Do your senses tingle?Then take a chance?In a trance,While the lonely mingleWith circumstance?
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As much as I love to dance, and I still take class, aerobics and that sort of thing, and I still move very well and all of that - I'm really not a dancer anymore.
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Dance on, dance on, we see, we seeYouth goes, alack, and with it glee,A boy the old man ne’er can be;Maternal thirty scarce can findThe sweet sixteen long left behind.
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I had an amazing childhood and always loved to sing and dance, but there were moments where I had ups and downs with my health that often tested me as it does many people. I've never hidden the fact that my health was sometimes not on my side, but I've never let it define me or deter me from my dreams.
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It's the one who won't be taken that cannot seem to give, and the soul afraid of dying that never learns to live.
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I have the feeling that a lot of poets writing now are - they sort of tap dance through it.
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After the Dance was my first attempt at nonfiction. I'd never really participated in carnival, and I really wanted to go. It sounded like a wonderfully fun thing to do. And I wanted to write something happy about Haiti, something celebratory. And going to carnival gave me a chance to do that, because it is one of the instances in Haiti when people shed their class separation and come together.
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In terms of the organic feel and the love for noises, I definitely feel more connected to Four Tet and Fennesz, as any dance floor artist. I do like some dancey stuff like Martyn when I DJ, but I draw my inspiration from other things.
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Denis Law could dance on eggshells.
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Sex is not the ultimate high, but the ultimate high hangs out around sex. The ultimate high is the dance with another person, played so deep down and with such abandon that glee returns to grown-ups.
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The way we are dancing in this show is the way you would only normally dance with your boyfriend or your husband. It's very sensual and sexual. You do get very close.
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That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.
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Dance, like music, is the expression of the human spirit. Dance is 'visual music'.
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That's one of the main things I do, work with choreographers. I've been doing it a long time, and it's a real important part of my life as a soundmaker, making music for dance.
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Kylie Minogue is just a demonic little idiot as far as I'm concerned. She gets cool dance producers to work with her for some bizarre reason, I don't know why. She doesn't even have a good name. It's a stupid name, Kylie, I just don't get it.
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To go back to visit the early days with Bob Fosse and Gwen Verdon, when she was the dance captain of 'How to Succeed,' and finding them again 25 years later and working with them on 'Charity.' That was really great fun.
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Before you go thinking I’m some kind of King Canute – it was my stance against programmed music that made our sound the way it was (even if I do say so myself), keeping it a hybrid of rock and dance: the sound of the future. Instead I decided to bury myself in the recording process, becoming the band’s recording engineer.
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I'm not trying to compete with any other revival soul acts. It's just Leon Bridges, a kid from Fort Worth trying to be himself and give people hope. It's great music to dance to and just love.
