Dance Quotes
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Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
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When I was a kid, I had ambitions for being a television announcer, which was before television took off, you know, in the late '40s. And just through necessity, going out looking for work, I was starting to sing, and dance, and act, and I never expected to do that, nor to have any success at it at least.
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The discipline that ballet requires is obsessive. And only the ones who dedicate their whole lives are able to make it. Your toenails fall off and you peel them away and then you're asked to dance again and keep smiling. I wanted to become a professional ballet dancer.
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How do you expect to learn to dance when you have not even learned to walk! And above the dancer is still the flyer and his bliss.
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Hip hop classes and ballet are what I've been keeping up with, and of course my usual abdominal workout, which consists of 500 sit-ups a session. Or I take a 30-minute abs class at my gym. But dance classes are a full-body cardio workout, which always brings me success and keeps me feeling great.
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People know that they're going to see something which is entertaining but challenging as well because of the form it's in. It's dance theatre and it requires you to use your imagination - it's not straight forward.
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I think people look at dance music and see it as kind of a bad thing, and bad people hang out in nightclubs, but it never felt that way for me. Growing up in Chicago, music was the thing that saved me, that kept me on the straight and narrow.
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The person drawn to dance as profession is notoriously unintellectual. He thinks with his muscles, delights in expression with body, not words; finds analysis painful and boring; and is a creature of physical ebullience.
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'Man In The Mirror' by Michael Jackson - I used to have my very first dance parties with my kids to this song when they were little, even carried them around to it. It just makes you want to be a better person and be inspired.
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When you're dancing the mystical dance of the molecules, you're not the one who's leading.
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I've always felt connected to music. There was always music playing at home, and I'd just dance and sing.
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To go back to visit the early days with Bob Fosse and Gwen Verdon, when she was the dance captain of 'How to Succeed,' and finding them again 25 years later and working with them on 'Charity.' That was really great fun.
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I realize that I'm not a great dancer. I've given up the hip-shaking. I don't pelvic thrust anymore. Those were the beginning days of T. R. learning how to dance. But I love it, and I've taken a few choreography lessons. But other than that, I kinda just feel it, I guess.
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I asked Fred Astaire once when he was about my age if he still danced, and he said 'Yes, but it hurts now.' That's exactly it. I can still dance, too, but it hurts now!
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That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.
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Adaptability is crucial to working on Glee because every day is adapting to something. Because we're doing a different genre of music, doing a different type of scene with a different scene partner, recording and dance rehearsals... no day is like another.
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Disco music in the '70s was just a call to go wild and party and dance with no thought or conscience or regard for tomorrow.
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The drama of the sky dance is enacted nightly on hundreds of farms, the owners of which sigh for entertainment, but harbor the illusion that it is to be sought in theaters. They live on the land, but not by the land.
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When your whole world is shaken from all the risks we have taken, Dance with me, dance with me into the colors of the dusk.
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The way we are dancing in this show is the way you would only normally dance with your boyfriend or your husband. It's very sensual and sexual. You do get very close.
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...existence has become an unreasoning, wild dance around the golden calf, a mad worship of God Mammon. In that dance and in that worship man has sacrificed all his finer qualities of the heart and soul — kindness and justice, honor and manhood, compassion and sympathy with his fellowman.
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And I have been able to give freedom and life which was acknowledged in the ecstasy of walking hand in hand across the most beautiful bridge of the world, the cables enclosing us and pulling us upward in such a dance as I have never walked and never can walk with another.
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Nobody cares if you can't dance well. Just get up and dance.
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Before you go thinking I’m some kind of King Canute – it was my stance against programmed music that made our sound the way it was (even if I do say so myself), keeping it a hybrid of rock and dance: the sound of the future. Instead I decided to bury myself in the recording process, becoming the band’s recording engineer.
