Dance Quotes
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I entered this glam world by luck. I wanted to join dancing classes since I was a child, but my parents never gave me the permission to do so, as no one in our family had ever chosen this path. Fortunately, I got my first break in a reality show easily due to my dance skills, so that way I have been lucky.
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Singin' in the Rain was most excellent if you like movies where people burst into song and tap-dance. Which I do, though not as much as I like movies where people don't.
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I love the 'So You Think You Can Dance' show. I love it. I think it's some of the best hours on TV.
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Rock ’n roll is really swing with a modern name. It began on the levees and plantations, took in folk songs, and features blues and rhythm. It’s the rhythm that gets to the kids – they’re starved of music they can dance to, after all those years of crooners.
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Tonight I feel like all of creation is asking us to dance.
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I like rock music that has melody, but it also makes you wanna get up and dance.
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Disco is just pop music you can dance to.
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Besides what have poets, in any case, to do with sin? They must dance before the Ark of the Covenant or die! But what am I trying to say?
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I once made a giant six-foot can of Crisco that a person had to dance in and that had an Elvis wig on top.
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When I look at the people who are the guiding figures in modern dance, I think, 'This does not look to me like the way I want to spend my days.'
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Education in the art of dance is education of the whole man − his physical, mental and emotional natures are disciplined and nourished simultaneously in dance.
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I love working with Alicia Keys, because it's not just the ability to do the dance to me; I think it's the ability to interpret it that excites me the most.
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I tried to dance in my earlier films, but it was more like struggling to stay afloat once you are thrown into the water.
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I played the violin my whole life. I wanted to play from the time I was just a little kid, and I've always loved dance as well. I wanted to make people smile. I wanted to add an extra energy to my playing and make it visual and make it unique and fun.
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My background is in modern dance. I was a dancer and a choreographer before I was a director, and in dance, you can't cheat. Your leg goes up in the air, or it doesn't. So when I direct, I'm a big preparer.
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When I was a little kid, I took tap and ballet. I've always loved to dance. I'm a rhythm machine.
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Dance ... is life, or becomes it, in a way that other arts cannot attain. It is not in stone, or words or tones, but in our muscles. It is a formulation of their movements.
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I am not very comfortable about dancing at weddings and New Year parties. Maybe it's because of the way I have been brought up; I wouldn't want my family to feel that cringe moment. Dance is an art for me.
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'The Asylum Dance' was written after I'd moved back to Scotland and was a response to moving to my old home area of Fife.
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Limited points of view let the writer dispense - and the reader gather - information from various corners of the story. It all becomes a kind of dance, with the writer guiding the reader through the various twists and turns. The challenge is keeping readers in step, while still managing to surprise.
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All of the arts are kin - music and sculpture and dance, those are wordless art forms. But poetry is defined by language. Of course, each art is distinct, and has its own character - not just in terms of media, but in terms of what seems to lie at the heart of it.
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Life is a dance, enjoy every step.
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My dance is a sacred poem in which each movement is a word and whose every word is underlined by music. The temple in which I dance can be vague or faithfully reproduced, for I am the temple.
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I'm the same guy at that podium preaching to the people on every single song. I'm not doing a dance for you on another song. It's all a direct assault.
