Song Quotes
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Oh the sisters of mercy, they are not departed or gone. They were waiting for me when I thought that I just can't go on. And they brought me their comfort and later they brought me this song. Oh I hope you run into them, you who've been travelling so long.
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In some ways, I've always approached singing as acting, and the voice is just like a way of carrying the song.
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I wanted to write a happy song. I didn't know how.
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I haven't been able to write a song about flying. It just sounds cheesy. But for me, there's nothing like being up there.
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A moment for me that changed everything was hearing my song on the radio for the first time.
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It's funny when you start writing an album and then recording - the songs begin to take on a spirit of their own. Once you start to perform it live, this happens even more so than in the studio. They really start to develop a personality that takes shape over time with the audience.
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It wasn't until I found my tribe of artists - people who were outspoken and not afraid to say what they thought, whether in a song or a dance or a piece of classical music - that I found a refuge.
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In the past, my process would start with a sample of another song, and I'd chop it up and use that as the basis of the song that I was making.
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If I'm inspired to make a certain kind of song, I'm going to make that kind of song, no matter if it's what they know me as or think I am.
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As a tool for the activation of specific thoughts, music is as good as language. The combination of the two-as best exemplified in the love song-is the best courtship of all.
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Considering the amount of information we're bombarded by, it's amazing if a song can transcend time.
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'Roc The Life' is a song I wrote with The Dream, who made 'Umbrella,' 'Single Ladies' and loads more.
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Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
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As much as heartbreak music might be therapeutic, we all want love and long for that feeling. So if a song can give you that feeling, even without being in love, that's amazing.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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We shot 'Telusa Telusa' song in Bolivia. It took us 50 hours to get to the location. We shot in high altitudes, and oxygen cylinders were kept handy.
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'I Want To Hold Your Hand' is a great classic by Paul McCartney and John Lennon, I sure love that song. I did like the classic version, a rock-oriented song, then someone heard me do it with the Grant Green approach - Grant Green and Larry Young did it, with a bossa nova beat on the funky side.
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Music is a powerful tool in galvanizing people around an issue. There's no better way to get your point across than to put it in a beautiful song.
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Nashville is the business center. They forget that the bottom line of it all is still the song.
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I've been told that 'Midnight at the Oasis' has been responsible for the conception of more children than any other song of the '70s.
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My song 'Play It Again' is a perfect example of my music because the verses go so hard, and they're so urban; and then this pop hook comes out of nowhere and socks you in the face and makes you want to dance.
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It's always been based around the song, and guitar-playing in the service of the song... The sensibility is about songs. I like to think of it as kind of 'refined primitive.'
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When I auditioned for drama college, they asked me to do my Shakespeare. I couldn't do it. They asked me to do my modern, and I couldn't do it. They asked me if I had a song prepared, and I said 'No,' so I sang 'Happy Birthday.' And I did a reasonable improvisation, a reasonable one, nothing special at all. I don't know how I got in, but I did.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.