Wayne Coyne Quotes
Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
Quotes to Explore
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I had a bad conscience until I discovered that having a bad conscience about something so gravely serious as leaving your children is an affectation, a way of achieving a little suffering that can't for a moment be equal to the suffering you've caused.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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African Americans are one of the oldest ethnic groups in this country. We been here since the beginning. Before the beginning.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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Through all the bad guys that I've played, they're justifiably bad - they have their reasons. It's been important to me.
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As much as I enjoy traveling and playing on stage as an artist, I really find my true sense of purpose in a room writing a song.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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It was at the beginning of 1934 while working on the emission of these positive electrons that we noticed a fundamental difference between that transmutation and all the others so far produced; all the reactions of nuclear chemistry induced were instantaneous phenomena, explosions.
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The past is but the past of a beginning.
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Technology itself is neither good nor bad. People are good or bad.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
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Sometimes videos make a bad song very tight.
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I think it was at 16 when I forced myself because my dad had nagged me for an entire year. Like, 'Come on, sing for people. You have a nice voice,' and I just wouldn't do it. One evening, I just decided, 'Screw it, I'll do it.' I remember it was really bad. But I did it. So that was good.
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You can't, as an actor, conduct yourself by making constant references to other people.
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I did this role in Life Goes On as an HIV positive character and so emotionally that was the most challenging.
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Ideas for stories come to me based on my life, so who knows? If somebody sends me to become an astronaut, that's what I'll end up writing.
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'Forever Evil' is, ultimately, a Lex Luthor story. And everything in there is reflecting who Lex is and what he's going through. And we continue to learn more and more things about him that we might not know, and he's going to continue to experience things and do things that are surprising, I think, to even him - especially us.
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Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
