Song Quotes
-
The first song is called 'London.' It's about two Russian soldiers who desert the Russian army and escape to London, where they indulge in a life of crime.
Neil Tennant
Pet Shop Boys
-
I wanted to try to make songs that worked as songs, not just as productions. People wanted me to do a solo acoustic session, they were like "Can you play song on the piano?" and I was like "Not really. It doesn't really work." I wanted to write songs that would work in a variation of instrumentation.
Kaitlin Austra Stelmanis
Austra
-
The person who's writing and performing those songs wants to get to know the fans even more. Find out how close that song is to their real life, what it means to them. The earlier in the process that we can start connecting those artists with fans, the better.
Bob Richards
-
I always communicate musically. I want my band not only to learn the form and feel of the song by ear, like I do, but also have the freedom to contribute.
Josiah Alexander Sila
-
Sometimes I will click on a random sequence of notes- not to actually use it in a song, but to see if I can find maybe a simple pattern that I can build off of.
Ken Hill
-
When I heard 'Moon River', at first I thought it was just a nice song, but then I started paying attention to the words and realized this song was about Huck Finn. I just love the words, that it's kind of you and me against the world, and we're going to make it together.
Drew Holcomb
-
I love playing the new songs live. I hate playing a new song and then having to play an old song again, it feels really boring.
Kaitlin Austra Stelmanis
Austra
-
All in all it was my intention to hold both the black and the white clientele by voicing the different kinds of songs in their customary tongues.
Chuck Berry
-
Sweep the garden, any size, said the roshi. Sweeping, sweeping alone as the garden grows large or small. Any song sung working the garden brings up from sand gravel soil through straw bamboo wood and less tangible elements Power song for the hands Healing song for the senses what can and cannot be perceived of the soul.
Olga Broumas
-
The gateway to freedom...was somewhere close to New Orleans where most Africans were sorted through and sold. I had driven through New Orleans on tour and I'd been told my great grandfather had lived way back up in the woods among the evergreens in a log cabin. I revived the era with a song about a coloured boy named Johnny B. Goode. My first thought was to make his life follow as my own had come along, but I thought it would seem biased to white fans to say 'coloured boy' and changed it to 'country boy'.
Chuck Berry
-
I auditioned for a solo in church and got it. I was about seven and I sang a song called, 'Jesus, I Heard You Had a Big House' and I remember people standing up at the end and me thinking, 'Oh, I think I'm going to like this.' That's how it all began. Sounds funny to say you got your start in church, but I did.
Kristin Chenoweth
-
I like any song that can tell a story that people can relate to.
Lauren Alaina
-
Songwriting is a mysterious art. When I sit down to write a song, the end result should be mysterious and have this dark quality.
Martin Gore
Depeche Mode
-
We're all about exploring new sounds, so we don't have any limits whatsoever about how we go about finding them. We do tend to sample human vocals or sample sounds, which allows you to create your own sound. That's not our only way obviously, but that's a way you can use a sound no one's used before; it's not a sound in the synth. There's a lot of that going on in our songs in general.
Christian Karlsson
Bloodshy & Avant
-
O, for a draught of vintage! that hath been Cool'd a long age in the deep-delved earth.Tasting of Flora and the country green,Dance, and Provencal song, and sunburnt mirth!O for a beaker full of the warm South,Full of the true, the blushful Hippocrene,With beaded bubbles winking at the brim,And purple-stained mouth.
John Keats
-
A lot of times, the choice of the right song will save a scene. Or there will be a scene that's a little flat and you put in the right song and somehow it just comes alive.
Alan Ball
-
'Santa Monica' was a big song, and I always knew it would be radio friendly. But it's not a defining song for me, though for a lot of people it is.
Art Alexakis
-
I'd work on Garbage or I'd edit a song or writing here, but I was able to do a lot of things with my family. There are things outside of Garbage, the whole band has come to realize that we need things like that. That's why we took that break. Garbage had swallowed us up and had become a full time obsession for us and we needed to escape that and reclaim our old lives.
Butch Vig
Garbage