Song Quotes
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When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song... With a Twist' music video. I released it just as I moved to L.A.
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I feel like in every song I write, I always write a little darker bit.
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This is old song That will not declare itself...
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I love Florida Georgia Line. I love 'Round Here.' So if a fan wants to listen to that, and if a fan that wasn't listening to country music before is listening to 'Cruise' on Pandora, and after that a song by George Jones comes on, they may have never heard George Jones before. I think it's a good thing for the genre.
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If you can whistle the melody, then the song will stick. But if you need a bunch of machines to make it sound good, you're probably not writing anything that's going to last a long time.
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Writing is my therapy. My feelings build up inside of me and then I sit down and write a song.
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I have never been able to remember the number of my driver's license, and there have been times when I couldn't even remember my own telephone number, but when I hear a song, sometimes only once, I never forget the melody or the lyric.
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For a heart without love is a song with no words And a tune to which no one is listening So your heart must give love and you'll find that You shine like rain on the leaves you'll be glistening.
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I have to have music playing constantly. It creates the tone and mood for anything you are doing. I specifically love rock, and Jimi Hendrix is one of my favorite artists. My favorite song is 'Red House,' because it's heavy on the blues.
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I think the melody is the first time I hear in a song and if I like the melody, then I'll pay closer attention to the lyrics.
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I'm the same guy at that podium preaching to the people on every single song. I'm not doing a dance for you on another song. It's all a direct assault.
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Whoever hired me might've just heard 'Refugee.' Well, I'm not the secret to 'Refugee.' The secret to 'Refugee' is the song. But if somebody really good calls me up to play on something because they like the way I played on 'Refugee,' then I wind up playing on another really good song.
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I just sit down and write the best song for the best moment, and however it comes out, it is what it is.
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I was 18, at art school, and saw this cute boy playing banjo. I was obsessed. I taught myself how to play. I listened to a lot of country and just messed around. The second song I wrote on the banjo was 'Good to Be a Man.' That what's got me signed.
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The heavenly bodies are nothing but a continuous song for several voices (perceived by the intellect, not by the ear); a music which... sets landmarks in the immeasurable flow of time. It is therefore, no longer surprising that man, in imitation of his creator, has at last discovered the art of figured song, which was unknown to the ancients. Man wanted to reproduce the continuity of cosmic time... to obtain a sample test of the delight of the Divine Creator in His works, and to partake of his joy by making music in the imitation of God.
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A song or an album is never really done. You can work on it forever, but knowing when to call it a day and knowing when to walk away from it is extremely important.
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There are so many songs that have become massive hits merely because the video is great, while the song is pretty rubbish. From that point of view, I think I've always preferred to listen to a song rather than look at it.
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Def Jam, they've shown nothing but love as far as supporting my records. We haven't missed yet, radio-wise, and every song that they've actually tried to support has been No. 1.
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Van Halen was a huge influence on me, and 'Eruption' was the song that really leaped off that first Van Halen album.
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Putting two songs together, I've always loved that trick when it works.
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I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.
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Somebody told me about a band that works out their whole set as if it was one song. They learn the whole set as one piece, so they know how the dynamics of it work. It's really difficult to do, and you can only really do it while you're on tour, as being in a rehearsal studio is not the same as being on stage in front of an audience.
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My daughter, who is 7 years old - I have no idea where she learned this - she made a video where she's beat-boxing. We have no idea where the beat-boxing came from, but all of a sudden, there it was. Now we're launched into lyric sheets for every single song that is current. They're all over our house.
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During childbirth and hospice I'll sing gospel songs that my grandma taught me when I was younger, or something I've made up, or I'll hum. I just play things that I think the audience will like.
