Song Quotes
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Say the opposite, say the opposite, say the same thing, say the same thing. (song/refrain on 'The Show').
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When 'Hide Away' first started gaining a bit of momentum, I was visiting at least two radio stations per day - sometimes in different cities - to spread the word about the song. It was a hustle, but so worth it.
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A lot of the lyrics I write involve images that just swing the song in a way that feels really good to me and there isn't a literal explanation. They're not riddles for the listener to solve.
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It's hard to listen to your own record or your own songs and not pass judgment in a critical way just because it's your own thing. It's weird to sit down to listen to it to enjoy it.
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My first song was 'So Sick,' which was my first number one as an artist, and I turned the mic around to the crowd, and they sang the whole song. Every lyric. That was my first experience with the power of music.
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Songwriters I've always been drawn to are people who deal with something of depth in the lyric writing. ...I've always been influenced by the folk song, the storytelling tradition in folk music. And so for years I wrote mostly story songs. I still do that, but as I've gone on, it's gotten a little more personal. I used to write mostly in the third person. I write a little more in the first person now.
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The first song that I had that went platinum was 'Keep Your Head Up,' which was a long time ago. Then, you get 'one-hit wonder' with that.
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When something is bothering me, I write a song that tells my feelings.
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I wouldn't have a No. 1 record or song if I wasn't a hardworking person.
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When your hair is rising, that's when you know it's a good song - that's happened to me with some artists and some songs, John Lennon songs or when Nina Simone sings. It's great to make those moments yourself.
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It's kind of a miracle to think that a device in your pocket can play pretty much any song that the world has ever created.
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Not every song of Lynyrd Skynyrd's was a single, but songs like 'Tuesday's Gone' and 'The Ballad of Curtis Loew' and 'Made in the Shade,' 'I Need You,' people learned those songs from the radio because radio played albums, not just singles.
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It took me 29 years to finish that song. That's a typical Jardine move.
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You have those songs that are very special to you that you don't want to get ruined by production. Something like 'Start Again' shouldn't be touched. It's a classic-sounding song on a piano and violins and harmonies, and I think those songs are perfect as they are.
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It does feel really good to sing songs about somebody that I really respect, admire, love, care about and am so passionately attracted to after all this time.
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I wrote "Bootylicious" because, at the time, I’d gained some weight and the pressure that people put you under, the pressure to be thin, is unbelievable. I was just 18 and you shouldn’t be thinking about that. You should be thinking about building up your character and having fun and the song was just telling everyone just forget what people are saying. You’re bootylicious. That’s all. It’s a celebration of curves and a celebration of women’s bodies.
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I'm always thinking about songs and how I can sing a song that would resonate with my voice, my persona. I want it to be a pleasant experience that's not just about hearing my voice. I remember some singers whose voices were so pretty, it didn't matter what they sang - you loved it.
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There's a song called 'My Faith' that's kind of my spiritual song on my record. It's a little bit of my softer side of me, comin' out of left field a little bit.
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Sing your heart out and write the best song you possible can.
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I've reinvented myself every year since 1998, and my style's still changing. It's grittier now. I always gotta try something new. I've grown up. Then I was rapping; now I do music, I write albums. But my distinctive voice and style, people still can't catch it. They're still asking me, "What were you saying on that song?".
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The ancient media of speech and song and theater were radically reshaped by writing, though they were never entirely supplanted, a comfort perhaps to those of us who still thrill to the smell of a library.
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There is another sort of day which needs celebrating in song -- the day of days when spring at last holds up her face to be kissed, deliberate and unabashed. On that day no wind blows either in the hills or in the mind.
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The big thing that everyone forgets, you're famous and on TV and everything, but I think there's something very rewarding to be able to write a song, record it, and have it turn out as you heard it in your head, or even better.
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For us, we make a song, and if we like it, it goes on a record.
