Song Quotes
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With technology now, you can go in and sing a song, and for $100,000, you will sound flawless.
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I think the best music videos are the ones that have nothing to do with the song. Those are all my favorites.
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It is easy to get an interesting loop to happen, but it becomes a collage when the song and loop are constantly changing.
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Even if you have a big tune, live crowds can get sick of it. It's not just about the song but also the staying power and if people have connected with it in a certain way. I know that the tracks I put more emotion and depth into are the ones that have the staying power in clubs.
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I think my all time favourite song would be between 'Slow Dancing in a Burning Room' and 'Dreaming with a Broken Heart' by John Mayer.
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When I'm in the studio, I don't finish the song and say, 'That's going to be a big ringtone.'
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C is for CuteA is for AdorableR is for RavishingM is for GorgeousE is for ExcellentL is for LovableI is for I'm the best!T is for TalentedA is for 'A tap dancing ballerina fairy princess veterinarian! NOW LET'S START MY WHOLE WONDERFUL SONG ALL OVER AGAIN!
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One of my favorite things is when people will ask for a song that I hadn't planned to play. It is really fun to see if you can remember something, and you don't always. I mean, sometimes it's just crash and burn.
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We're feminists. We're doing something that only guys are expected to do and doin' it right! At our concerts we'll do one hard-core rap song and then do one where we'll be real sexy.
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Barriers have been broken: rappers are singing, and singers are rapping. You might catch a rapper on a rock song, a pop artist on a hip-hop song - there are so many different things that are going on today. That is the same way in which we live our lives; we're all over the place. I like to try different things.
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I've always been one of those people that, if I am angry, I just hold it in. And I always kind of, like, wrote it in a song and put it aside for myself because it helps me get it out. It's almost like exercising; it's almost like that for me.
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I can play a song for somebody, and when certain parts come on, I cringe. I might not like my vocal or the way I sang a certain word. Playing intimate shows is when I feel the most vulnerable; you can hear and see everything. Those are the most rewarding as well.
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If it's a good song, it's a good song. I'll take it.
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Storms of every sort, torrents, earthquakes, cataclysms, 'convulsions of nature,' etc., however mysterious and lawless at first sight they may seem, are only harmonious notes in the song of creation, varied expressions of God's love.
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I'm very motivated by the occasional creative payoff that comes when something goes really well, be it a song, a recording or performance. The payoff is enormous - when you get it. Most of the time, though, I'm filled with self-loathing and general frustration at the limitations I have as a musician.
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I've been doing morning pages: the first thing I do when I wake up is sit down and write three pages of whatever comes into my head. The more I do them, the more creative I get and the smaller my problems seem. I can turn something that I hated a few days ago into a short story or a song.
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'Tattoos' reminds me of where I'm from, and some of the stuff I did when I was growing up. That was one of the things that was appealing about the song when I heard it the first time.
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I'm confused that there is a lack of faith in listening to and deciding what is a great song and instead going for these formulaic, bad songs over and over again. But that's what happened when people from beverage companies bought record labels and radio stations as opposed to people who love music owning record labels.
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When I met Letterman, he told me he thought 'Christmas (Baby Please Come Home)' was the greatest Christmas song he ever heard, and he wanted me to be on his show to sing it.
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All of our saddest songs have somewhere in them at least a glimmer of resolve - Street Spirit has no resolve. It is the dark tunnel without the light at the end.
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The first thing I did when I got inside was turn on the kitchen light. Then I moved to the table, putting my dad's iPod on the speaker dock, and a Bob Dylan song came on, the notes familiar. I went into the living room, hitting the switch there, then down the hallway to my room, where I did the same. It was amazing what a little noise and brightness could do to a house and a life, how much the smallest bit of each could change everything. After all these years of just passing through, I was beginning to finally feel at home.
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'God Made Girls' was such a success for me. I'm so blessed to have over half a million downloads on that song. I was the highest-charting new female in 2014, and I couldn't have done that without Big Machine and their support.
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I know that song writing is probably the most mystical of the things that I do, in a sense that I'm not sure where it came from or how it started. It's something that I just knew how to do. It's something that just happens.
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I continue to believe, contrary to the given wisdom, that it's more interesting to have an album - or, indeed, an individual song - which has variety rather than homogeneity.
