Song Quotes
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I secretly love the song 'No More Tears.' It's my go-to karaoke song that I do with all my friends.
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I've been doing music for many years and after a point what is the motivation that drives you to compose and to do stuff? I did this song for the U.N., a fighting for poverty anthem. That's when I realized that I could do a foundation. And when I started the foundation, it was basically to fight poverty and to help - that kind of stuff.
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I didn't realize what I was even doing when I started to record music. I was just doing it for fun. I picked up whatever recording gear I could get my hands on and I'd sit there day-in and day-out... experimenting with different sounds and trying to write songs.
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Country fans are the most loyal in the world, but they know every song that you put out - not just the singles.
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So, once I've written a song, you know, I'm pretty happy with what the song is on its own terms.
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I feel like I write so that people can think of it as theirs. If my song is exactly about your life right now, then it is - I don't even want to say that it's mine, because it's yours.
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Doing a scene truthfully is very similar to doing a song truthfully. They're really parallel.
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The emotion of a song's lyrics has always been what grabs me deeply.
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Not all lies are harmful. Sometimes we're willing participants in deception for the sake of social dignity, maybe to keep a secret that should be kept secret, secret. We say, 'Nice song.' 'Honey, you don't look fat in that, no.'
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There's no separation between electronic music and acoustic music. It's all one thing. Each song has its own heartbeat. Each song has its own soul.
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My mum, Helen, was hilarious. She had a tremendous sense of humour and was a great singer and tap dancer. For many years, she was the voice of Minnie Mouse in the Macy's Thanksgiving Day Parade. She would be in the float as it came along, singing whatever the Minnie Mouse song of the day was. She was a really big spirit in my life.
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I know that song writing is probably the most mystical of the things that I do, in a sense that I'm not sure where it came from or how it started. It's something that I just knew how to do. It's something that just happens.
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We play a hip-hop song and suddenly 25 people on the left jump up and put their hands in the air; then you play Lost Cause and they're like, I don't know about this one.
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My next project will be a Christian album, another one. I wrote the songs for the ones you're referring to, but I want to do some of my old gospel favorites. That's what my next album's going to be.
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For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
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Every song you write you think is the last one you're going to manage. You put everything you've got into the song, and you've twisted it and pulled at it and dug in and found a way to complete it. To get another one is the trick.
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The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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They're always so serious, the orchestras, you know? It's always a fun contrast of that song and the genre of music. And me.
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All of our saddest songs have somewhere in them at least a glimmer of resolve - Street Spirit has no resolve. It is the dark tunnel without the light at the end.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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At the audition, your assignment is to find something new in the song. Something you've never noticed before. A breath carried over, a thought that ties the whole thing together. Then take the risk and do it.
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But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.
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I'm someone that examines culture and tries to break down why things are the way that they are whether its hip-hop music, sex, race, or consumerism. I try to examine it and scrutinize it to the point where I can write a song.
