Song Quotes
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Back when I was growing up, if I loved a song, I would record it off of the radio so I could hear them as many times as I wanted.
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I will not promote other people's songs big time. I will just mention that I produced the song to get the credit I think I deserve.
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I was once an extra in a Bruce Springsteen video where they did a live performance video at Tramps. I forget the name of the song.
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You don't want to go and make something, then go out and do shows, if you're not really into it. You don't want to go out there and make people feel like you're grudging playing them a song. That's a disturbing thought.
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I tried to stick with what I knew best, which is writing rock n' roll songs and melodies. I am as passionate as I was when I was 20.
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You're not supposed to say the word 'cancer' in a song.And tellin' folks Jesus is the answer can rub 'em wrong.It ain't hip to sing about tractors, trucks, little towns, and mama, yeah that might be true.But this is country music and we do.
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If I'm going on any trip, driving music is key. Road Hammers is good driving music. I don't mind listening to my own stuff. You record it for a certain reason. You fall in a love with a certain song at a certain time and how you record it is a labour of love. You better love it.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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They were so good that you just had to sing the song to them once and they got it. It's amazing. Sometimes it didn't come out the way you wanted, but it was good.
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I remember where I was when I first heard 'Boyz N The Hood' – 126th Street and Normandy, South Central, Los Angeles. I remember that I was on my porch. What they described in that song was so vivid and so clear to me because it was the kind of life I was used to witnessing and partly experiencing in my neighborhood.
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I just feel such freedom to do whatever. If a song's seven minutes or ten minutes long, then so be it - it's that long.
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So many good fortunes have come my way, and I'm trying to pay it forward by helping to raise money to complete 'Bulbul: Song Of The Nightingale,' a documentary that brings attention to the social and human injustices suffered by the Banchara tribe in India.
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'Reign' is probably the oldest one on the record. I wrote that when I was 19. 'The Dead They Don't Come Back,' which is the last song on the album, I wrote when I was 20, and 'Harlem River' I just wrote last year. It spans from 2007 to 2012.
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Negativity spreads faster than any Justin Bieber song.
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If I made a mistake in singing a song or in the script, I could have some fun with it, then retain any of the fun that sounded amusing.
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I love music in general. It's like girls and their clothes and shoes; when you love shoes, you love shoes. So, for me, I think it's a really dangerous thing to say I'm going to write the best dance song in the world.
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A lot of times what happens is, not even just with child actors, but people in general, is they get so caught up in the now. The hot song, the hot TV show, the hot movie. You're not saying 'OK, this is cool, but where am I trying to be 20 years from now?' That's always been in the forefront of my mind.
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I'm into the whole song-as-a-piece-of-music thing: if it literally doesn't call for it, if it already has enough stuff going on, then it's okay not to play a solo.
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Storms of every sort, torrents, earthquakes, cataclysms, 'convulsions of nature,' etc., however mysterious and lawless at first sight they may seem, are only harmonious notes in the song of creation, varied expressions of God's love.
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It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.
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The first thing I did when I got inside was turn on the kitchen light. Then I moved to the table, putting my dad's iPod on the speaker dock, and a Bob Dylan song came on, the notes familiar. I went into the living room, hitting the switch there, then down the hallway to my room, where I did the same. It was amazing what a little noise and brightness could do to a house and a life, how much the smallest bit of each could change everything. After all these years of just passing through, I was beginning to finally feel at home.
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Every song that I've done is me in one way or another.
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For every benefit conferred, God is to be praised in his gifts. Otherwise when the time of judgment comes, that man will be punished as an ingrate who cannot say to God: 'Your statutes were my song in the land of exile.'
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'I think that the idea of straight edge, the song that I wrote, and the way people have related it it, there's some people who have abused it, they've allowed their fundamentalism to interfere with the real message, which in my mind, was that people should be allowed to live their lives the way they want to.' 4
