Song Quotes
-
Some of the ideas are kind of inspired by the songs, and I always want to use music to tell the story and give the movie a certain kind of mood. That's always essential to me.
Wes Anderson
-
No one worries about genre when they're dancing. They're not asking themselves, 'Is this song a dubstep song?'
Sonny John Moore
-
Everybody finished the song at different times. At last, only the Weasley twins were left singing along to a very slow funeral march.
Joanne Rowling
-
"Art Imitates life," of course, is that phrase by Oscar Wilde. I called that song "Art Imitates Life" because Oh No was in the studio and he actually came up with that hook. When I was trying to figure out a name for the record, it just kind of made sense.
Talib Kweli
Black Star
-
Frank Ocean would be incredible; I'd love to be a sponge and absorb everything he says. Every song he puts out, I'm like, 'Why didn't I think of this?'
Alessia Cara
-
I don't think you can cover a song unless you love it and have a relationship with it. With 'Golden Heart' I felt a sense of responsibility. And when we were recording it in the studio, it felt almost dream-like. Something you might hear if you were in Senegal, with someone singing from the mosque in the morning just as the sun's coming up.
Neneh Cherry
-
I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
Alton Ellis
-
Here, also, the future was cried aloud by the wind through the rocks, so that all those who heard would shiver, and then the liquid spring song of the thrush would make all the beauty of moonlight and sunlight blend together, making it true, so true, that happiness must come again
Elyne Mitchell
-
This song 'All Aboard,' that tune allowed me to expand and kind of offer my audience something totally different because it's not bachata - I'm singing English, and that was really fun.
Anthony Santos
Aventura
-
It's a humbling and amazing journey when you write a song in your bedroom, and you've got no money, and you're trying to write a song based on where you're at right at this moment.
Linda Perry
4 Non Blondes
-
When all else fails, put on a costume and sing a silly song.
Alice Walton
-
I embrace everybody, but you work everybody and each song at a time to who it is for. I believe that's how you build a palace. You build a palace one block at a time and then you'll have what you want. That's how it goes.
BJ the Chicago Kid
-
I have definitely written a happy song about someone and then we ended up splitting up, but you have to put those kind of things to the back of your mind and tell yourself that it's a good song and it works on the album.
Joe Jonas
Jonas Brothers
-
I figure I wrote 37 songs in 20 years, and that's not exactly a full-time job. It wasn't that I was writing and writing and writing and quit.
Tom Lehrer
-
To die, so young to die. No, no, not I, I love the warm sunny skies, light, song, shining eyes, I want no war, no battle cry, No, no, not I.
Hannah Szenes
-
One of my mottos for 'Currents' was 'Give the song what it deserves.' How would this song flourish? If the song could tell me what it wants, what can I give it? I tried not to dictate it with any sensible or logical decisions.
Kevin Parker
Tame Impala