Song Quotes
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In high school, some of the guys were really into music. When I first joined the team as a sophomore, I was blown away when we came out for our first home match. I'm getting goose bumps just thinking about it. The seniors would bring their whole stereo system. We started by yelling and stuff inside this little room just off the gym; then the coaches said, "Ready. Go!" We threw open the door and came running out. Even when I hear the songs now I get all jacked up.
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When I sang the line, 'Songs about Old Ireland.Songs about being young again.I wish I was young again,' twice people cried. I saw them.
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Maybe someday there will be a song I write that I never let see the light of day because I don't want it to be uncontainable and have to play it again. And I have written songs like that that are just for me. It's like writing a letter to someone you're angry at but never sending it and just putting it in a drawer.
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It's really hard to find a love song that is real. That's when you really strike a chord with somebody, when you dig in deep and grab a hold.
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All the charming and beautiful things, from the Song of Songs, to bouillabaisse, and from the nine Beethoven symphonies to the Martini cocktail, have been given to humanity by men who, when the hour came, turned from tap water to something with color in it, and more in it than mere oxygen and hydrogen.
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Sing of the nature of women, and then the song shall be surely full of variety; old crotchets and most sweet closes. It shall be humorous, grave, fantastic, amorous, melancholy, sprightly, one in all, and all in one.
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I'm writing songs with the hope someone can get behind my feeling.
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I pinch myself every night when I hear the overture starting. I'm so overwhelmed by the whole process, and humbled and giddy all at the same time because I can't believe it's me that gets to sing these songs every night.
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What a song is is a subjective thing. There's no one real definition for it.
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I don't want to write the same song over and over again.
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Bob Altman got nothing from the TV series 'M*A*S*H,' and the royalties for the theme song went to his oldest son, Michael, who wrote it as a 15-year-old poet!
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Some people have said that I can 'hear' a hit song, meaning that I can tell the first time a song is played for me if it has potential. I have been able to hear some of the hits that way, but I can also 'feel' one.
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Every day it gets worse and worse and worse. We just want to get everyone to vote and be a part of the noise. I can't do phone banks because I have to save my voice for stage, so the least I can do is a song.
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Driving that train, high on cocaine Casey Jones you'd better watch your speed Trouble ahead, trouble behind And you know that notion just crossed my mind
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I'm awful at karaoke, but if I did have to sing, I'd go for my favourite Frank Sinatra song 'I've Got You Under My Skin.' The fact I love Frank is my grandfather's doing: he drummed it into me from a very early age that Frank Sinatra is God.
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Every time I write a song, it's different. I'm all about the rhythm of the words and the melody. Musically, you gotta have a throbbing pulse going. But as far as what it's all about, there's a million ways to go. You have to invent a new code for every song. Then you have to break it. It's like Scrabble or a crossword puzzle on steriods. I could talk about the process for days. But it's never dull and there's no one way in.
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Despite what I say in my songs, its never okay for a man to put his hands on a female.
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With song titles, I try to keep a healthy sense of humor while saying something at the same time.
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If you record a song that you love, then you're going to win.
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In a song you can kind of stage-manage everything so that it puts you in a good light. And once a song is recorded, it always performs well.
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I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.
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I like messing up the song, doing some improvisation. And I like running around the room with the mic.
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Only joy comes from song.
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I just think it's a blessing that I was able to have the gift of words and to be able to put them into music. I was given a great gift all the way around. I didn't ever have to really go out and look for songs, you know.
