Song Quotes
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I produced a song for Bobby Vee called Get The Message.
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Here, also, the future was cried aloud by the wind through the rocks, so that all those who heard would shiver, and then the liquid spring song of the thrush would make all the beauty of moonlight and sunlight blend together, making it true, so true, that happiness must come again
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Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.
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I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
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Generally, if you could picture a bunch of rock and roll momentum behind a song and it was particularly melodious, maybe the Pornographers would do it. If it was kind of moody and more lyrical, then maybe it would be a Destroyer song. Anything that's really lyrically driven I would keep for Destroyer.
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Very rarely is there any confusion as to when a painting or a song is finished. You just know when it's done.
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I watch videos on YouTube of bands that I've heard of that I want to check out. And sometimes I don't even finish the video. And that's really sad, because maybe I'd like that song. I think that we don't give stuff a chance to really sink in.
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Everyone has a song in him.
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There's that kind of song, "Whoah baby, I love you," which doesn't have a visual element, but a very strong emotional element, and these are the great songs to me - those ones that you put them on and they just make you feel great, or whatever.
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And of course there must be something wrong In wanting to silence any song.
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Every artist and every song has an idea, and the producer's job is to capture it.
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No one sells a song better than the person that wrote it.
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Only joy comes from song.
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I think my favorite song is by Led Zeppelin called 'Good Times Bad Times,' a Rolling Stones song called 'You Can't Always Get What You Want,' and every song The Beatles ever wrote.
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The main thing for all of us was having a ballad, a slower song. Finally, they get to hear more of a vulnerable side to us! We didn't really have that in 'Reflection,' and that's something we all fought for.
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I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.
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I have spent many days stringing and unstringing my instrument while the song I came to sing remains unsung.
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I know that’s probably not always true, but I operate on the principle that if it sounds great when you’re just playing it on the piano or guitar and singing it, then making it into a stylistic statement is just not a problem. It’s just going to be a matter of time, turning the crank and getting an arrangement out of the song.
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Legislation won't necessarily start a riot. But the right song can make someone pick up a chair.
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You know...sometimes I'll be looking out at the audience and I'll be in the middle of a song, and I'll just stop dead. I'll look out at them, and think what is this... There's one thing that keeps me doing it though, I really love it, I believe in it.
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After six or seven performances of any song, you begin to perform it rather than feel it.
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A song like "Walkabout", it's totally imitative. The goal of that song was to make people happy, and I've never really made a song to make people happy before. I really genuinely wanted people to listen to that song and have their spirits lifted.
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The siren song of pluralism will always drown out the sobering voice of history.
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When I sang the line, 'Songs about Old Ireland.Songs about being young again.I wish I was young again,' twice people cried. I saw them.
