Hakeem Seriki (Chamillionaire) Quotes
I couldn't make every song about Texas because it wouldn't be new; it wouldn't be a breath of fresh air.
Quotes to Explore
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Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
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Calling a taxi in Texas is like calling a rabbi in Iraq.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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A lot of my friends send me Snapchats of when they're in the club, and they're like, 'It's your song!'
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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Toil without song is like a weary journey without an end.
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I lived in Norway and Texas when I was a kid.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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We wanted to write a whole song about partying and then taking Yellow Cabs home. That's the weirdest topic we've ever thought of centering a song around.
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We believe in honoring our mothers and fathers and keeping our smallest residents - our children - healthy. The politicians in charge of Texas now clearly don't. Perry has refused to even consider expanding health care coverage in Texas because he cares more about scoring political points than he does about our Texas families.
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You know what, I am not gonna lie, that Taylor Swift 'Trouble' song? I can't resist that song. Her melodies are very catchy.
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When I write, I don't have any expectation of what kind of song it will become or who it might reach.
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What is beyond the cathedral, outside, Balances with nuptial song. So it is to sit and to balance things To and to and to the point of still, To say of one mask it is like, To say of another it is like, To know that the balance does not quite rest, That the mask is strange, however like.
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My song can make you cry, take you by surprise. At the same time, can make your dry your eyes with the same rhyme. See what you're seeing is a genius at work, which to me isn't work, so it's easy to misinterpret it at first.
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I decided a handful of years ago that I just want to write songs that you can understand as soon as you put the record on. There’s no need to veil what’s happening in the song the way I used to. My goal as a songwriter now is to simply write some memorable turns of phrase.
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I don't like when a song goes from one mood to another unless it's going to be out of sight.
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'Marvin Gaye' came about my first day in L.A. It was kind of crazy that that's my first song that I wrote and it blew up that much. What's crazy is the next day I wrote 'See You Again,' so that's pretty interesting. I was trying to prove myself as a songwriter.
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They look for the top note to end every song. They don't know what they are singing about. There is no style.
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I grew up half the time in a small town called Mart, Texas, and half the time in L.A., because I was acting.
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In almost every task involving form, there are dozens, often hundreds of contradictory elements, which need to be forced to work in harmony by man's will. This harmony can be acheived only through art.
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I've been so lucky to work with some great, great writers: Tony Kushner and Yasmina Reza.
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I couldn't make every song about Texas because it wouldn't be new; it wouldn't be a breath of fresh air.
