Song Quotes
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I wish I was a prolific writing wondrous boy genius - I wish I was Stevie Wonder - but I wasn't. I was me. I wrote terrible songs about girls I was head-over-heels about. As soon as a pretty girl looks at me, that's it - I'm in love, and I should probably write a song about it!
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That's why I loved Dinah Washington. She sung jazz, but they called her the Queen of the Blues. She had the control and sophistication of jazz in her note selection and how to attack a song or certain lines, but then attacked it with a painful force of blues behind it. That's why I admired her so much, because of that versatility.
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It's lifestyle music. It's not like some secretary who likes some pop song, but can't name who the band is; whereas a heavy metal fan is into every aspect of it. We'll see if rap holds up to that. Run-DMC seemed to be the Led Zeppelin of rap.
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Heartache is very fertile ground for song-making but so is happiness, so is absolute bliss.
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I intend to keep writing Christmas songs. There's still a lot more about Christmas that can be captured and feel like old-time Christmas. A lot of the traditions haven't been explained in song.
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I have one favourite song, and that's 'Aayat' from 'Bajirao Mastani.'
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The very first day that Hillary came over, we were working on a song called 'All We'd Ever Need.' But we never even thought about it until we had written 5, 6, 7 songs. Then we played our first show, and we all enjoyed it so much. We felt like it was something a special and different. So from there we decided to do Lady Antebellum.
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I've got a song on One Direction's album called 'Tell Me A Lie'. It's a really cute song - I love it. I loved that they liked it. They sound really great on it. I already have it - I'm so VIP with my copy on my computer! It does sound really good.
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I am more interested in how people interpret the phrase 'Elect The Dead' than what I may or may not have intended. I named the album after the track, which is a spiritual song about love, life and death and is the heaviest song on the album without having any heavy instruments.
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When I'm up on stage, I don't think about anything except the song I'm singing. Anyway, the majority of my audience is female, and I can't think that many of them want to see me a French maid outfit somehow!
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You can say things a million times, but if you can't sing it, then it really isn't much of a song.
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A lot of people really didn't expect for me to have a record with Kendrick, but I proved them wrong. It's not easy to get Kendrick on a record, so it was a huge deal for me to have him featured on the song.
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My cousin used to make fun of me for liking stuff like C+C Music Factory. I didn't have any tapes; I just liked their song on the radio. We liked that because that was what we had access to.
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Let's have the music that will open the door to millions of people... the kind of music that will not make people think only of the song or even of the singer... not music that is confined to the merely personal.
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There are no rules to writing a song.
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I'd love to cover an 'Incubus' song. I don't think anybody in a cowboy hat on a country stage has ever done that, and I'd love to be the first.
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Whatever I think the song sounds like is what I'll name it. It's a feeling thing; it's not logical at all.
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With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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I wrote a song several years ago while I was in college called 'Muscadine Wine.' I really didn't know if it had potential or not, if it was good or bad or what. I played it for my roommates - who I played ball with - one night, and I knew they would tell me the truth. They loved it, and that encouraged me.
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When we start to write for a new record, we never really know what we're doing. We don't come into the room with a set of ideas, but miraculously, a song comes out of it.
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I've written a song for Prince. I never showed it to Prince, but just to see if I could do it. At the time, when I sort of knew him, he was recording a song a day. I wondered if I could do that. So I wrote it.
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The song of the blues, the song of the music, was something a lot of people missed out on. They thought they had to swagger a certain way or bark at the mic, and you don't have to do that.
