Song Quotes
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I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.
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I mean, there's an aspect I've always said that is - it's, you know, it's not poetry but it's kind of like it. It's not song lyrics but it's kind of like song lyrics. It's not rap but it's kind of like rap. And it's not stand-up comedy but it is kind of like stand-up comedy. It's all those things together.
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I feel like people, when it comes to music, whatever genre, they relate to the story more than just the song.
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I just want to write a great lyric and write a great song, and everything else is icing on the cake.
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I'm a huge Joe Nichols fan, and he put this song out an album called 'Real Things.' I was excited for Joe when I heard it, thinking 'that will easily be Joe Nichols' career song.' I was even more excited when they got out of that album and they never released it as a single, because then I was like, 'Now that's gonna be my career single.'
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If I have a hit, then I hope the people who like the hit song go out and buy my album so they can hear it all.
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I just love expressing my joy and my mind through what I wear, or how I cook, or how I dance, or how I write or perform a song - how I move.
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The one hit song that I have tremendous gratitude for is Boots, because it has a life of its own. It's like being identified with a brand name.
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'Free Fallin'' is a very good song. Maybe it would be one of my favorites if it hadn't become this huge anthem. But I'm grateful that people like it.
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I can't wait to see someone else from Louisville make a hit song 'cos that'd be dope. I can only imagine how J Cole would feel if somebody just came out of Fayetteville and started booming with some crazy records.
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With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.
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'Too Young to Fall in Love' is an earlier cut from Motley Crue, but it's one of their best. I'm so drastically different as an artist from their sound, but the challenge of making it my own is what makes doing a cover song fun.
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There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.
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In heaven, all ordinary thought is higher and more melodious than Milton's song. Then, would he add another verse to any strain that he had left unfinished here?
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I woke last night to the sound of thunder,'How far off,' I sat and wondered.Started hummin' a song from 1962.Ain't it funny how the night moves,When you just don't seem to have as much to lose.Strange how the night moves, with autumn closin' in.
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There is no formula to it. Writing every song is a little journey. The first note has to lift you.
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I consider the piano my 'main' instrument and have been playing for as long as I can remember. It seems to me that I might have come up with something resembling a song as early as 4 or 5 years old.
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'Helter-Skelter' was the motive for the murders. Manson borrowed that term from a Beatles song on the 'White Album.' In England, helter-skelter is a playground ride. To Manson, helter-skelter meant a war between whites and blacks that the Beatles were in favor of.
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Nature gets credit which should in truth be reserved for ourselves: the rose for its scent, the nightingale for its song, and the sun for its radiance. The poets are entirely mistaken. They should address their lyrics to themselves and should turn them into odes of self-congratulation on the excellence of the human mind.
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The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
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I was once sitting on a tube, and someone was playing my song so loudly through their ear phones next to me. I just stayed silent and chuckled to myself.
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Being in L.A. has definitely given me the opportunity to experience how my music sounds in real life because I can drive around and listen to the mixes, which I couldn't do in New York. I get to feel how a song works in combination with a sunset and a drive through the mountains.
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When I was a little girl, my dream was just to hear my song on the radio. It was very fascinating to me, and I was like, 'How do I do that?' Now it's like, 'Oh my God, my song is on the radio!'
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With the Rhythm Kings, I can involve myself in arranging and producing the music as well as the choice of songs.
