Song Quotes
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Prose is like this big block - you write big paragraphs. I feel that when I'm reading and writing, that a prose book is kind of monolithic. But a song is more like a feather or something.
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I have eighteen titles in the German language. I had a number one song in 1965.
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Somewhere we went wrong We were once so strong Our love is like a song You can't forget it at all.
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I remember hearing the song when I was 12 or 14 in - it must have been in Chicago, 'cause we didn't have a radio on the farm, and it was during the second World War. I had three brothers in that war who went overseas.
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You have to keep challenging yourself. I've always tried to do that, and I'm not saying I've always been successful. Maybe I've rewritten the same song; it's inevitable, but I've always been mindful of taking the writing somewhere else. You can't stick in your little comfort zone.
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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
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For every benefit conferred, God is to be praised in his gifts. Otherwise when the time of judgment comes, that man will be punished as an ingrate who cannot say to God: 'Your statutes were my song in the land of exile.'
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I've always loved 'Umbrella.' Funny enough, my ex-husband wrote that, and I'm not saying it was meant for me or anything - people will start twisting this - it is Rihanna's song! But I've always loved it.
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'Wuthering Heights' was not your normal type song - but that's why it was so brilliant. It was something out the norm. When something like that comes along, they don’t come along that often. When does the next Kate Bush come along, after Kate Bush? There hasn’t been one.
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With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
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Every time I write a song I feel really lucky and kind of surprised. Not surprised that I wrote it, but just surprised that things exist that you don't know about.
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A lot can be said with just a look, or the way the body moves. Each song is a different character. So each song takes on a different movement of the body. And the body has to go with the subject and the attitude that you have toward that subject.
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There's a lot of people I'd love to work with at some point, but I think the song has to be the right thing. It has to be the right fit.
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I was never a Lime Wire guy because it's too much hassle to find the song.
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The vocal arrangements are a big part of the formula for a Bad Religion song - layered harmonies and background vocals. So when I start to describe the elements of Bad Religion's sound, it starts to sound like a Christmas choir.
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Everybody has their favorite sad songs. That's part of what I love so much about country music. Country music is never afraid to go with a sad song.
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I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.
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You see the genius that Whitney Houston has as an interpreter of material, and you realize why genius can be applied to only a few interpretive performers. She finds meaning and depth and soulfulness in a song that often the writer and composer never really knew was there.
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Normally I begin writing a song with just with aim to express something, and sometimes I don't know what I want to express until a sentence comes to my head that will sum up everything about how I'm feeling at the time.
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I usually write my music on a piano, and I really enjoy performing that way, because that actually shows how the music was in my mind before it actually became an electronic song.
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I admit I do have some drawbacks and limitations as a candidate. Although I am a professional comedian, some of my critics maintain that this is not enough. I cannot deny that I stand before you untested and inexperienced - I only spent two years in television, never as a romantic lead or a song and dance man.
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I certainly wouldn't want a song that I'd already written to be used on a commercial. That seems strange.
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When a song wants to be written, it will be written.
