Song Quotes
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Just the other day I pulled out this old cassette of Ragged Glory and I popped it into my cassette player and I was digging it. They were just a great rock and roll band, one that presents the song ahead of everything else - there's no grand idea or concept behind it.
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Somewhere we went wrong We were once so strong Our love is like a song You can't forget it at all.
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You can be a rapper born and raised in go-go music, violence, drugs, crack, Reagonomics, and still, if you hear 'Wake Me Up Before You Go-Go,' you're going to find a way to hum along. Guilty pleasures? It don't matter. Sue me - I like the song. To dance to it is another matter.
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You know what, I am not gonna lie, that Taylor Swift 'Trouble' song? I can't resist that song. Her melodies are very catchy.
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You can get too bogged down in technology and you can sort of forget what it is you were trying to do. And with the Pet Shop Boys it's primarily about the songs, it's about song writing.
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The people that only listen to one song from a record and flip around that much, if that's the only way they listen to music, they're probably the kind of people that like music as something to drive to, you know?
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To create an album of love, I really had - I thought it was going to be easy, because I've always written love songs. But I thought if I really want to make a love album that contributes, that actually means something, I've got to go deep.
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I am more interested in how people interpret the phrase 'Elect The Dead' than what I may or may not have intended. I named the album after the track, which is a spiritual song about love, life and death and is the heaviest song on the album without having any heavy instruments.
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I think my favorite medium is music, with my main tools being my voice and a guitar. But I do find every other medium extremely fulfilling and useful in helping everything I do. Sometimes I need to make a song just for a comic. All of the art and mediums are connected for me.
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When I met Michael Jordan on a basketball court at an athletic club – we hooped together in Chicago – he came to me and asked me if I wanted to do a song for his upcoming movie. I was like, 'Yeah!' I didn't even ask what it was.
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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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Nobody ever thinks a song is about them. Well, not when it's mean. When it's a good song everybody thinks it's about them. And when it's mean, nobody thinks it's about them.
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I make up stories in my head all the time, but I've never written them down. But I write a lot of story songs. Any song I'm singing, I sort of see it like a movie in my head. That's why a lot of times I close my eyes when I'm singing.
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I know of some guitar-based rock bands that refuse to record anything that they can't play live. But some of the best stuff I come up with are studio-based performances - bringing out whatever accident I had in the studio and building a song around that.
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I usually write my music on a piano, and I really enjoy performing that way, because that actually shows how the music was in my mind before it actually became an electronic song.
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I love a lot of music that's considered folk music, but I also love a lot of music that's considered punk or considered rap. I don't mind being called a folk singer. But it seems a bit limiting. I want to be able to write whatever kind of song I want.
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The line 'because you're mine, I walk the line.' It kept coming to me, you know? But I was - I was … young and not been married too long. Yes, it kept coming to me. Because you're mine, I walk the line. And then the words just naturally flowed. It was an easy song to write.
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Every song, the title dictates the architecture of the song.
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There's so many great things that happened at the Grand Ole Opry in 50 years. You get the chance to go out and visit with your peers. You get a chance to sing your song and say hello to so many friends and neighbors and all that you have. It's just - well, it's a second home.
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I just like to switch things up all the time. Like when it comes to singing, I try to find a different character for each song.
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The idea of having one ensemble do everything is what was on 'Sea Lion' and that's what I tried to make happen for 'Metals,' which is having five people in the room and all of us contributing equally to every arrangement and every song.
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When I go into a room to write, it's like I'm not trying to say, 'I need to write a song that sounds like Eric Church or Jason Aldean.' I just try to get the best song that's in the room that day. Whatever style or sound that may be, I'm not afraid to attack it at that angle.
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Different people have different ways of doing things. For me, becoming a songwriter first and falling in love with the Nashville songwriting community and the process of songs and getting better and putting more in what I wanted to say, was absolutely vital in me even wanting to be an artist.
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I grew up watching 'Grease,' and 'Grease 2.' I fantasized about walking through school halls and busting out in a song. At that time, I was too much of a chicken to do so. I'd love the challenge now.
