Song Quotes
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'Close to the Edge' is the album where we first attempted to do the extra-long-form piece of music, having one song taking up the whole side of a piece of vinyl.
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Certain songs by hearing the rhythm, it tells you that is either a love song or you might be heartbroken or the songs give you the vibes and you just know that certain songs are militant that you have to write.
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The way I like to start a new project is to take a cover song and make a stab at it, ideally one that has nothing to do with the people in the room.
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Different people have different ways of doing things. For me, becoming a songwriter first and falling in love with the Nashville songwriting community and the process of songs and getting better and putting more in what I wanted to say, was absolutely vital in me even wanting to be an artist.
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You can tell if there's magic in something. When you start it, you want to finish it and you want it to be perfect. If you're not inspired, and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived, and I don't like to write music that's contrived.
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I've written a song for Prince. I never showed it to Prince, but just to see if I could do it. At the time, when I sort of knew him, he was recording a song a day. I wondered if I could do that. So I wrote it.
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Every one of my regrets has produced a song I'm proud of.
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The first person that I ever heard sing a song I wrote was Jason Derulo. I was in the studio when he was doing it, and I mean, I've heard that guy's voice my whole life. When he was singing words I wrote, I started kind of choking up, but I tried to be all manly and puff my chest up and be all, 'Yeah, it's not a big deal.'
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We're feminists. We're doing something that only guys are expected to do and doin' it right! At our concerts we'll do one hard-core rap song and then do one where we'll be real sexy.
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It's cool when your husband starts to sing some old Merle Haggard song and I can pop in with a harmony and it doesn't sound too bad.
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An artist could have a really big relationship, and then they break up, and any song after that, people are automatically going to assume that that song is about that person.
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You can get too bogged down in technology and you can sort of forget what it is you were trying to do. And with the Pet Shop Boys it's primarily about the songs, it's about song writing.
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It's lifestyle music. It's not like some secretary who likes some pop song, but can't name who the band is; whereas a heavy metal fan is into every aspect of it. We'll see if rap holds up to that. Run-DMC seemed to be the Led Zeppelin of rap.
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It's not that I don't love the song. My songs are like my children: some you want around and some you want to send off to college as soon as possible.
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I've never worried about how long the song is.
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I see a face of love, Fair as sweet music when my heart was strong: Yea - art thou come again to me, great Song?' The face bent over him like silver night In long-remembered summers; that calm light Of days which shine in firmaments of thought, That past unchangeable, from change still wrought.
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Every song, the title dictates the architecture of the song.
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The song of canariesNever varies,And when they're moultingThey're pretty revolting.
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I often have an argument with people. I say name me a classic song that's not sad in some kind of way. And even if you can, you'll have to search pretty far.
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What is that song they are singing Is it an old Yorkshire ditty you know like that 'On Ilkley Moor Bar T'at' " Ruby said "Nah it's a football song. It goes 'We hate Chelsea we hate Chelsea we are the Chelsea haters.
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I'm singing this song for you and your mum that's all,And it won't be long before everyone is gone.
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There was a film called 'FM,' and we were asked to do the title song. And I said, 'Does it have to have any specific words?' And they said, 'No, it just has to be about FM radio.' It took a day or two to write.
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When I go into a room to write, it's like I'm not trying to say, 'I need to write a song that sounds like Eric Church or Jason Aldean.' I just try to get the best song that's in the room that day. Whatever style or sound that may be, I'm not afraid to attack it at that angle.
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When I've produced a song, I try to record a vocal over it, and sometimes it becomes really hard. Sometimes I've already said a lot that I want to say within the production. The vocal is just adding to it, rather than it being a song.
