Song Quotes
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We live in a world of empty spectacle, the world of spectacle rock, songs you can't remember, it's all about the expression of money, power and kind of empty and fascistic. Where technology has changed society, where people are not using their brains as much, not seeing the bigger picture but constantly looking down at the cellphone and not seeing the bigger picture. Today's songwriter need to be on outside, find their own trip if you will and find a way to connect from a place that no one has heard before. It might be taken as weird but that is what makes it unique.
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There's no huge, deep message in any of the songs. We recorded a few months of being human.
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If you sing a song of peace with enough gestures and grimaces, it becomes a war song.
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I think when you sign a recording deal, you think, 'I'm going to put out a song and have a hit right away. I'll be a giant superstar. I can take over the world now.' But I put out a song, and it did OK. It wasn't like leaps and bounds.
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To me, country music has always been the home for a great song.
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Almighty Freedom! give my venturous song The force, the charm that to thy voice belong; Tis thine to shape my course, to light my way, To nerve my country with the patriot lay, To teach all men where all their interest lies, How rulers may be just and nations wise: Strong in thy strength I bend no suppliant knee, Invoke no miracle, no Muse but thee.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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My theme song is 'One Tin Soldier' by Coven.
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'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
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I can make a song up about anything: garbage, the weather, things in the news.
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I'm really sick of anthems. Every song has to be a very big singalong thing - it feels very Eighties. There are a lot of 'whoah whoa whoahs,' this stadium thing. You're even getting that from some of the 'folk' groups. I can't stand it.
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A song sometimes ends up with its own internal logic.
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Every time you come out with an album or a song, you want to feel like you're growing a bit in what you are and giving people something that they can feel.
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'Nothin' on You' by B.o.B was the first song where I heard myself on the radio. I'd been trying my whole career to write a song like that, which incorporates live instruments with hip-hop and singing.
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The song tells me what to play.
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Our purpose is to educate as well as to entertain. Painless preaching is as good a term as any for what we do. If you're going to come away from a party singing the lyrics of a song, it is better that you sing of self-pride like 'We're a Winner' instead of 'Do the Boo-ga-loo!'
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'None of Your Business.' It's the only Salt-N-Pepa song that I regret.
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If Mozart were around now he would write a killer rock song.
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I like listening to Beyonce, and I like Jason Derulo. I love his new song 'Don't Wanna Go Home.'
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I don't have a favorite song that I've written. But I do have a favorite song: 'Always on My Mind,' the Willie Nelson version. If I could sing it like he do, I would sing it every night. I like the story it tells.
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Re-wind when the crowd say Bo' Selecta ** song Artful Dodger Feat. Craig David - Re-Rewind
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I think Katy B encapsulates young London in a way I never could. She reps London harder than anyone song-wise since Lily Allen.
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Even if it was a difficult operation to copy a song, it only takes one person to do it. After that the spread of the song via the Internet or other means of propagation is only limited by the honesty of the users.
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I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.