Song Quotes
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I don't need to hear Bill to go through a song. I need to hear Keith to go through a song. I know Bill will be playing what I'm playing anyway. I need to hear Keith because it's all there: the time, the chord changes, and all the licks you have to follow.
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The song came out to be a gem, just came out to be a really, really interesting rendition of it.
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I continue to write songs that are topically related to social, political and economic issues of our time, but I also recognize that onstage, I have a lot of fun and audiences have a lot of fun, so I'm trying to package the messages in music and sounds that are fun to perform and fun to listen to.
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While all is new, all is beautiful. That is a well-known song. Yes, and the next day the air changes into another one equally well known.
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I have to be inspired to write a song.
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I'm never going to sing another song I don't believe in. I'm never going to make another picture I don't believe in.
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Any kind of anthemic song, for the most part, they're on the positive side of things. It's not hard to identify when a melody is just one degree too complicated or one degree too simple and where that line of pop memorability lies.
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'Brand-Dropping' is the term that the Kluger Agency coined to describe discreetly advertising by product mentioning in song, and we feel we can make this the way of the future without jeopardizing any artist's creative outlet or typical style.
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In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.
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Somewhere along the line, music became 'content'... It's my full intention to bring it back to music again! I believe in the power of song.
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All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
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I use writing as a counselling session - recently I've written a song for Paloma Faith, so after being a singer, I'm happy to keep writing for other people.
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Doing a musical is not just acting. It's total theater. When you have to justify the enormous projection of energy it takes to just go into song and dance, you realized why it's such a humbling experience every time you go into a show.
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Taylor Swift dates guys so she can write a breakup song about them. I don't think she's dating for love - I think she's dating for creativity. So let's get her off the market and put her in dating detox. If she really wants love, she has to stop writing music about them.
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The fact that I have done films down South didn't boost or hamper my chances here. In fact, I was still shooting for both my Telugu films when I met Ashu sir for 'Mohenjo Daro.' During the audition, he gave me five scenes with lengthy dialogues. Once I cleared them, he gave me a song to dance to. So, my Bollywood entry was no cakewalk.
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Benny and Bjorn, I suppose, already had an idea of which one was going to sing the lead. I mean, they knew perfectly well our ranges and which kind of voice they wanted on a specific song. And sometimes, I envied the choice of Agnetha, I must admit.
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I've started getting acclimated to writing on the road and on the spot. I just let whatever I feel at the time come out, instead of really sitting there and taking days to write just one song.
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He was my North, my South, my East and West,My working week and my Sunday rest,My noon, my midnight, my talk, my song;I thought that love would last for ever: I was wrong.
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'Dirt Road Diaries,' in my mind, is a perfect country guy song. It speaks to the hard-working guy, and I'm excited for the fans to hear that one.
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I don't think Flo Rida gets on just any song. If you look at the songs he has done - even The Saturdays one - was a hit. If it's not good enough, then he won't do it.
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If you look at the content of songs people write, it's usually about the things they know best.
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I think we have a creative impulse where suffering can magnify our work, but so can joy. You can be in love and write the greatest love song ever. Sometimes I think too much suffering makes it difficult to do one's work.
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What I love about piano and vocal is it's incredibly pure, and it gets down to the essence of the song because you're not distracted by an orchestra. When it's just a piano and a voice, it's about the purity of singing the song.
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A good song has to have a great melody, and the lyrics have to touch my heart. Now, if it's just a little toe-tapper, got to make me feel good somehow or another, or when I sing it I can't make you feel good.
