Song Quotes
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Even a song on the radio that completely lacks substance is there for a reason. Sometimes, people need a break from cold reality; the song that you really don't have to put that much thought power into can be just as entertaining as something that might take you on a three- or four-minute cruise through the depth of reality.
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In the largest sense, every work of art is protest. … A lullaby is a propaganda song and any three-year-old knows it. … A hymn is a controversial song - sing one in the wrong church: you'll find out. …
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I consider myself a songwriter before anything else. The fact that I have been able to write both of my records and establishing myself as a songwriter is super-important to me. Some people have that gift, where they can take on anything and make people believe it. I like to do a song from personal experience.
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I've got a song on every album, two songs as a matter of fact on every album without Auto-Tune, and that's the song that nobody talks about. It's weird.
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There's a lot of instant spotlight and pressure when it comes to a Bond song.
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I don't need to hear Bill to go through a song. I need to hear Keith to go through a song. I know Bill will be playing what I'm playing anyway. I need to hear Keith because it's all there: the time, the chord changes, and all the licks you have to follow.
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All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
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I was a B.I.G. fan. I like all of his stuff. I don't really have a favorite song. They all are good, and each brings different memories to me. And you can still listen to it to this day and it means something.
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I get plenty of, 'Is that song about me?' from men but I just tell them to get over themselves.
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I can write a song about my hero Che Guevara and call it 'Song for Che.'
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People get passionate about a song. It's been my experience if you put out radio candy, something commercial, it doesn't sell records.
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That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.
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Staying healthy through movement and eating well gives you tons of energy and helps mold the skills that allow you to achieve goals from playing soccer to doing a tough homework assignment to writing a song.
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'Dirt Road Diaries,' in my mind, is a perfect country guy song. It speaks to the hard-working guy, and I'm excited for the fans to hear that one.
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I think we have a creative impulse where suffering can magnify our work, but so can joy. You can be in love and write the greatest love song ever. Sometimes I think too much suffering makes it difficult to do one's work.
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Doing a musical is not just acting. It's total theater. When you have to justify the enormous projection of energy it takes to just go into song and dance, you realized why it's such a humbling experience every time you go into a show.
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I was never a Lime Wire guy because it's too much hassle to find the song.
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I continue to write songs that are topically related to social, political and economic issues of our time, but I also recognize that onstage, I have a lot of fun and audiences have a lot of fun, so I'm trying to package the messages in music and sounds that are fun to perform and fun to listen to.
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I am honored I have performed 'Quizas Quizas Quizas' with Jennifer Lopez, an eclectic artist who thanks to the charismatic power of her voice and to her soft sensuality, has managed to make this song particularly convincing.
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I think a comedian has a more specific job. Whereas a musician can fall into different categories, you know, of making background music or doing a soundtrack or wanting to be in a band or writing the song, or writing your own songs. And then comedy is a very black and white thing. You want to make people happy.
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I think when you sign a recording deal, you think, 'I'm going to put out a song and have a hit right away. I'll be a giant superstar. I can take over the world now.' But I put out a song, and it did OK. It wasn't like leaps and bounds.
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The first time I heard 'Jolene,' I was 12 years old, and it was performed by Jack White. I remember watching that video and forgetting it was from a woman's point of view, and forgetting it was a country song, and forgetting it was originally by Dolly Parton.
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If you look at the content of songs people write, it's usually about the things they know best.
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I'm never going to sing another song I don't believe in. I'm never going to make another picture I don't believe in.
