Song Quotes
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Whether you're a history buff or a fantasy fan, Druon's epic will keep you turning pages. This was the original game of thrones. If you like 'A Song of Ice and Fire', you will love 'The Accursed Kings'.
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I'd sometimes do 50, 60 takes of song.
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This never happens, but I was writing with my friend Ryan Hurd and Eric Arjes, and we wrote this song called 'Last Turn Home.' The next day, my publisher emailed it to Tim McGraw's label. He listened to it, and I think within the week, he went into the studio and recorded it. And that never happens.
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Everything I do will always be compared to 'Love Song' in terms of success or the way it's written or whatever, but it was a really formative moment in my life and in my career.
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Often, it's the little things, like the title of a song, that can make a huge difference in its success.
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I love countermelodies, I love hooks and melodies that stick in your head. If I could put 20 melodies in a song and they would all work together, I would.
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The song 'Stick'? That needed to be chunky and sexy. It's human. It's human to be the girl in 'Stick' and feel spicy as heck.
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At times God puts us through the discipline of darkness to teach us to heed Him. Song birds are taught to sing in the dark, and we are put into the shadow of God's hand until we learn to hear Him...Watch where God puts you into darkness, and when you are there keep your mouth shut. Are you in the dark just now in your circumstances, or in your life with God? Then remain quiet...When you are in the dark, listen, and God will give you a very precious message for someone else when you get into the light.
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Diana had a high thin voice that used to annoy me. Eddie too, ... We'd say, 'Why don't we let Mary (Wilson) sing the song?' But Brian was adamant, it's got to be Diana. Two against one, but we finally let her sing. We brought the keys down for Diana, to give her a fuller sound.
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When we play 'Angel of Death', it's actually a 2 and half minutes sing 'til our party starts. That song is pretty much been played traditionally in the end.
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My sense of style is influenced by how I feel. I want to express myself because they see you before they hear you. You want to come on stage, and what you look like should represent the song you are playing or the set you are about to play or the message in your music.
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I always try to relate a song to something what is going on, the working man, the times, how life goes.
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Alan Cumming was such a fun guy to watch. I remember he has a song in the first 'Spy Kids' movie, and when Danny Elfman came to set, they were working on the song.
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In a certain sense, every time you sit down to write a song, there's a fear that you've forgotten how to do it.
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I did the co-writing thing all through the '90s and I got one hit out of it - a Keith Urban song called 'But For The Grace Of God' - but then I got burnt out.
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It's always amazing seeing the song-writing process. A song just starts off as just an idea or a story you want to tell. It keeps building and building when you add the lyrics, the instruments, the vocals until you finally reach the finished song other people can enjoy.
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The original title was 'Waking Up Diagonal'. It's the first line of the song. I just thought it was more interesting than 'I Don't Care', which is such a boring title to me. When I hear that song, it breaks my heart a little bit because it's my story.
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Great songs aren't written, they're rewritten
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This time around was different. Daron brought a song in and we had to record it the next day. I just wasn't about it and I didn't do it perfectly. It took some time, or I wanted to play it a different way and the song had not been developed yet. I had to get it. It was more work-oriented and less about a vibe and art.
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Greatest hits is easy because one has nothing to do - except that we both, Roger and I, felt that new songs should be there because I've been away for awhile.
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In hip-hop, I wasn't very focused on delivering a message. It was just a string of lines that didn't connect. What I wanted to do is write stories... and affect someone's emotions with that song. I think as a soul singer, I'm able to accomplish that.
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When a song comes to you, you can't run around it.
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Pot is great for the abstract, for when you don't have to be regimented and for when you don't need parameters. When you're creating a song, there should never be any parameters, so being high is okay because your mind can wander all over the place.
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I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?
