Song Quotes
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Although, my experience when I've been depressed, not only am I too depressed to sit down and write a song, I'm too depressed to pick up my feet. So if you can at least write about it, you're halfway away from it.
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Sometimes I have the idea right away, like, "Oh, this is what this song's about. This is how I'm feeling."
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I think the music of the Fifties is really good. I suspect it’s much better musically than much of what’s available now. Not in terms of production, but in terms of content. One good believable song about some guy’s girlfriend and how they broke up - a sincere one - is better than twenty albums of English rock that’s ever been produced.
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When it comes to music, it's my clothes, it's my guitar, it's my voice, it's my song.
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Songs are my diaries; they always have been. You have to put your trust in everyone because putting down those real, personal details and thoughts that make a song authentic also opens you right up. I am constantly misunderstood; a lot of people just don't get me.
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I come from a very musical family. My dad taught me to play guitar. I play violin and drums as well. Violin, I started in elementary school. Drums actually came when I was in a program called 'Rock Star,' which was really awesome. We were doing a song by the Ramones, so I thought, 'Why not play the drums?'
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I really like working with unique and unknown artists, as they usually bring something fresh to a song.
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It's terrifying to play your favorite band's song in front of your favorite band.
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Once I release a song, it's not just about me or the people... I write about. They're my stories, but they're not really mine any more.
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It's kind of always been a secret fantasy of mine, the idea of writing a song and then not having to be the face of it.
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They look for the top note to end every song. They don't know what they are singing about. There is no style.
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I think being a singer-songwriter... your job is to tell a story that other people can't really tell themselves. And I really hope that people kinda go: "This happened once and I kind of like this song because I relate to it..." So if at least one of my songs over this tour's that song, then that's really cool.
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But when you think: Tim McGraw,I hope you think my favorite song.The one we danced to all night long:The moon like a spotlight on the lake.When you think happiness,I hope you think: 'That little black dress.'Think of my head on your chest,An' my old faded blue jeans.When you think Tim McGraw,I hope you think of me.
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'A Pirate Looks at 40,' we had to do that song. I've been covering that forever.
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The song is based on a lot of observation and a lot of speculation. But in sort of a pointed way its kind of about Madonna...I think it was a particular time where I was being bombarded with her image on TV and in magazines and her whole schtick kind of speaks to me in that way...like she's going through some sort of problem. It seems she's getting a bit desperate.
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To me, the lyrics of the song define the kind of style it is.
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I always give the encore over to chaos, so people can yell out requests and I can hack my way through a song that I don't really know anymore.
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On tour, there was a young girl that came up to me and said if it wasn't for the song 'Home' she had felt that she wouldn't be here anymore. She related to that song so much that it apparently saved her life.
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Back when I was jamming with Axl and the guys they had boxes of cassettes with song ideas. How do you know which ones you like now when you have that many ideas.
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One of the interesting things an artist does is they keep rediscovering things, whether it's a jazz piece or a role you've done for 3,000 performances or a song you're singing for the 3,000th time. My job is to find that spark that keeps it fresh and alive.
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What needs to be discharged is the intolerable tenderness of the past, the past gone and grieved over and never made sense of. Music ransoms us from the past, declares an amnesty, brackets and sets aside the old puzzles. Sing a new song. Start a new life, get a girl, look into her shadowy eyes, smile.
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'7 Years' seems to have attracted a lot of age groups - people seem to see their own lives in the song, and it's great to see so many people reacting in that way to it.
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And if you're horrible to me I'm going to write a song about you and you are not going to like it. That's how I operate.
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You can pick songs that sound like hits, but if it's not something that somebody wants to tell their friends, 'Hey man, have you heard this song?' then I don't think it's worth it. The only way to get your music out there, is for someone to tell their friends about it.
