Song Quotes
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When the heart is cut or cracked or broken Do not clutch it Let the wound lie open Let the wind from the good old sea blow in to bathe the wound with salt and let it sting. Let a stray dog lick it Let a bird fly in the hole and sing a simple song like a tiny bell and let it ring.
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The people who talk on the edgier 'Song Exploder' have often made their entire record on their desktop. It's never been easier to compete, but it's never been harder to win, either.
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On tour, there was a young girl that came up to me and said if it wasn't for the song 'Home' she had felt that she wouldn't be here anymore. She related to that song so much that it apparently saved her life.
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Pot is great for the abstract, for when you don't have to be regimented and for when you don't need parameters. When you're creating a song, there should never be any parameters, so being high is okay because your mind can wander all over the place.
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When a song blows your mind the first time you hear it, you don't know where it's going. It's blowing your mind as it's unfolding. Then there's that sensation that you're actually going to remember the song.
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In a world where like everyone's so accessible now, to say something new in an article that you can't find out about a n--- through his Twitter or like Googling him or some s--- is rare. Just like how a good song is rare.
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If I get a song - a good song - I just sing it the way I hear it in my head. If anybody else wanted to add whistles and bells and chains rattling, that's fine. Just not too much. I actually just do things as straight ahead as possible.
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I think I was perceived in one fashion. A video is based on a song. I think you can get glimpses of people's presence within that. There's some people you enjoy watching more than others.
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I don't know if a song is going to be a hit or it's going to flop. I never know. I just do the music and if people like it, they like it.
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I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
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So turn it on, turn it up, and sing a longThis is real; this is your life in a song.Yeah this is country music.
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Chad brings the bulk of the ideas to the table, and we all polish and rework the ideas he comes up with. He's such an accomplished songwriter. He wrote a song for ('American Idol' runner-up) Bo Bice, Enrique Iglesias - he's got that ear to be a musical chameleon and get into the zone of an artist. And he can't help but write a song you can hum along to. And that voice, you know it when you hear it.
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Somebody described it to me the best as when you go in to write a song with two people that you've never met, you're pretty much going in and taking off your pants in front of strangers, so it's a really weird feeling.
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Ian and Sylvia, who, when you got right down to it, were essentially country and western singers. I just recorded his Four Strong Winds. It's a wonderful song.
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If a musician wants to be an actor, everyone thinks that's pretty cool. But if an actor wants to play a song, even if they've been doing it for 40 years, that's bad news.
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I read 'Song of Solomon' by Toni Morrison in college, and it just blew my mind.
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I can watch a movie about a person that can make me feel depressed or remind me of something else, and then later on I'll get an idea for a song.
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You've got to really know your song, inside and out.
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I don't like the idea that I'm a one-trick pony, even if I am! No matter what else I do, I have to make sure that 'Elephant' isn't Tame Impala's biggest song anywhere.
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I learned early in my writing career that if I try to tailor a song for someone else, I'm usually off base. They're usually looking for something from you with your character.
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When it comes to making a song, whatever the beat tells me to do, I do.
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When you write a song you have an idea of how it should be sung but it doesn't work out that way if someone else records it.
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I wanted to try to make songs that worked as songs, not just as productions. People wanted me to do a solo acoustic session, they were like "Can you play song on the piano?" and I was like "Not really. It doesn't really work." I wanted to write songs that would work in a variation of instrumentation.
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The theme song of 'Doug' was my ringtone once for literally a year.
