Song Quotes
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We don't have a particular plan. We just do what we do. This is the only way we know how to do it. We make the music that moves us. We use it as therapy. The songs are cathartic. They're ways of dealing with life experiences and the world around you. It's meant to be as a release for us as it is for other people.
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But when you think: Tim McGraw,I hope you think my favorite song.The one we danced to all night long:The moon like a spotlight on the lake.When you think happiness,I hope you think: 'That little black dress.'Think of my head on your chest,An' my old faded blue jeans.When you think Tim McGraw,I hope you think of me.
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It's like a little folk song. I think it might've been Harry Belafonte or someone like that who did it. And "Merry Christmas, Everybody" by Slade, which is a rock group - a rock-pop group who are very big over there.
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When making the first album, I think I wrote a song about every six months. The first album was so much about the vocals carrying it.
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I can reach the mass audience if I come from different perspectives on every song.
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Do not abandon yourselves to despair. We are the Easter people and hallelujah is our song.
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There's only one proper way a song should go, but you've got to be patient enough to let them come together time wise. Sometimes it's lightning in a bottle and you got the song. But oftentimes it shows up.
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'7 Years' seems to have attracted a lot of age groups - people seem to see their own lives in the song, and it's great to see so many people reacting in that way to it.
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It's terrifying to play your favorite band's song in front of your favorite band.
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But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
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You recall a girl that's been in nearly every song?This is what I heard of course the story could be wrong.She's the one - I've been toldNow she's wearing a band of gold.Peggy Sue got married not long ago.
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I saw that something changed in terms of the way I approach writing. I don't know. Before, everything was just sort of pieced together; and more and more nowadays I'll have complete songs - chords, lyrics, a melody - and we'll apply to those songs what we feel is required. That has happened much more on Humbug album than on any of the others.
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If I can reach the guy in Alabama that hunts, and he hears that song, and he sees me - like, he's comfortable with me, my image as a person, as an artist - he's willing to sit down and give that song a chance.
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Songs are my diaries; they always have been. You have to put your trust in everyone because putting down those real, personal details and thoughts that make a song authentic also opens you right up. I am constantly misunderstood; a lot of people just don't get me.
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I don't think any artist really knows why a song gets popular.
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Without a song, each day would be a century.
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Only with a burning patience can we conquer the splendid City which will give light, justice and dignity to all mankind. In this way the song will not have been sung in vain.
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To be able to be onstage and to hear people in the audience go, 'That's my song!' It's amazing.
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'Sit Here and Cry' was one of the first songs I wrote with that overdramatic sarcastic dry sense of humor, which is why the energy of the song doesn't necessarily reflect the subject matter.
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Keep in mind, you can use Auto-Tune and you can know how to work it perfectly, but you still have to know how to write a good song.
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I started to write my own stories, like small novels, and those novels became poems, and after poems, they became lyrics, and song came from that.
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I wrote '('Til) I Kissed You' about a girl I met in Australia. Her name was Lilian, and she was very, very inspirational. I was married, but... I wrote the song about her on the way back home.
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I love playing the new songs live. I hate playing a new song and then having to play an old song again, it feels really boring.
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I think differently, I think it's about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that's great. If I could do a classical version, that'll be great too. It's all just about expression.
