Song Quotes
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'Somebody That I Used to Know' by Goyte has an odd, '80s vibe to it, but that does not mean that I did not like it. Quite the opposite actually. The song is different, and slowly lured me in. The video is just as strange, but definitely enjoyable.
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You're always frustrated, you don't have the chance to do a song on the album, like the Beatles did with Ringo and George, or like Led Zeppelin, where everybody was given a chance to contribute. There never is a chance with the Stones.
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It's funny how concert dreams are such a recurring thing among musicians. It's like how everyone has that dream of their teeth falling out? Except musicians have this dream of just standing onstage and there being all these people out there, and for some reason, the song isn't starting.
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I think 'Rather Be' is an amazingly written pop song with incredible production.
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When I write a tune - and it's been like this for many years - I always hear in the back of my head some sort of vague, orchestrated, fully fleshed-out big-band version of the song with other parts going on.
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When I enter a club and hear my song being played, I feel like it's not really my song and when I see people dancing to my song, I feel like jumping up on stage and treating them to drinks.
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In so far as I have any beliefs, I suppose I'm like that old Peggy Lee song, 'Is That All There Is?' I want to believe there's something else going on, but what that something else is I don't pretend to know.
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I have a song I wrote called “Autobiography.” I came from a very intense living situation, with having a parent on drugs and not having a lot of money. So I always want to talk about the real things. But I think 90 percent of my music, I want it to be 'feel-good music'. I'm already recording tracks for my album, but when it comes time to actually say, 'this is the album,' I may be in a completely different space than I'm in right now.
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What I saw in the record industry is it's just getting more restricted, more restricted, more restricted to where everyone's trying to figure out what kind of song to make to get on the radio: that's researched and where advertisers are telling you what to play.
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The real danger of writing a great song when you're on something is that it might get you thinking that the only way to repeat that is by only writing when you're high.
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"Love Walks In," it was the same thing. That song is about aliens, by the way.
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Every record we do, we do one song we didn't write.
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'Gorilla Man' is a composite of a few individuals, but the song itself was actually inspired by James Taylor. I spied his 'Gorilla' album laying on my floor and in some altered state, instantly started singing the chorus. It was fun to write. There's an old notebook with at least three more verses in it somewhere.
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Within the songwriting community, there are these unwritten rules for the way that a song should be written in country music, and I think that those rules are constantly being broken over the years, and the molds change and the process is evolving.
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I'm always aiming for some magic in films if I can find a mystical quality either in a song or in a moment or a character's intention.
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Certain songs like 'Enjoy the Silence' - to me, it always fits anywhere. There's something about that song that's really timeless, and I never get bored or feel like I have to muster something up.
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Everyone needs a theme song! It should make you feel like a million dollars.
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The premise of anything you do - whether it's writing a song or any business - is ultimately that it hinges heavily on your belief in the thing that you're doing and promoting and selling. It's a reflection of who you are in a very deep way.
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The creative process is just a process and you can't really separate it from life. Growing your hair is a creative process. Your body is creating hair. Being alive is a creative process. Whether it's growing something in the garden or growing a song, the material accumulates. It's the process of being alive; it's the passage of time. Things change.
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I wrote a song called 'Here on Earth,' and the hook is, 'There's no answers here on earth.' Basically, searching for the 'why' when someone passes away, and I feel really fortunate that my dad lived as long as he did. But no matter what happens or how it happens, it's certainly a stinker.
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I just think if the song's good, sing it. I don't care who's doing it. I don't care if it's a country act. I don't care if it's a rock act. If the song's good, sing it.
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It's a funny song and a funny video about a very serious topic. A lot of women die at the hands of their husbands.
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I think differently, I think it's about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that's great. If I could do a classical version, that'll be great too. It's all just about expression.
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Donny Hathaway's 'For All We Know' is the song that I've sung the longest. It is a beautiful song about living in the moment and appreciating this very second. That is the song I did for my 'Rent' audition.
