Song Quotes
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I worked with Snoop, but I would love to work with him again, but DMX... I would love to work with him as well... I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.
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I really believe it's not bad to look back within music. I don't mean retro, but using your own memories to make a song because our memories are what make us who we are.
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Heard this song and i couldn’t help myself to add a beat to it.
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It's hard enough to make a good song and a good recording of that song. But to try to tailor it to some outside force is just like - It's never been a factor in what I've done or what the band's done.
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I just think if the song's good, sing it. I don't care who's doing it. I don't care if it's a country act. I don't care if it's a rock act. If the song's good, sing it.
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I never really got paid for 'Tell It Like Is,' but I look back at it and say God knew what he was doing; he probably figured that if I had got money back in them days, I wouldn't be here now. That's okay. I'm here. And I'm still singing the song.
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It's terrifying to play your favorite band's song in front of your favorite band.
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In order to actually have a touchscreen in front of me and somehow still be connected to nature, I needed to be able to incorporate natural elements into the song structures. Because that's always been my song-writing accompaniment: nature.
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For us as writers, it's really important to have songs we believe in - even before sometimes we shoot a scene. If we have a song that's so perfectly designed for a scene on 'Rescue Me,' we'll play it on loud speakers during the shooting. It helps the cameraman and it helps the director, and it helps the actors know what the feel is.
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I had never danced all my life until I shot for my first song in 'Chirutha.'
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It's a funny song and a funny video about a very serious topic. A lot of women die at the hands of their husbands.
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I can't see myself ever having somebody say something about me on a song and me being like, 'All right, now I'm about to say something about them on a song.'
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Most of our stuff was trial and error. You live with a tape recorder, you turn it on, you play the song and you listen to it.
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You don't play around with a good song. You try to just say it right in the proper place, and if you get the music and voice in tune, you'll be all right. That's always worked for me.
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I can reach the mass audience if I come from different perspectives on every song.
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It's a big plethora of music floating around in my head all the time, and I'll sit there and write a song.
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While the sun God will may your day, sing as a song in search of a voice that is silent, and the one God will make for your way.
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Everyone needs a theme song! It should make you feel like a million dollars.
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Pot is great for the abstract, for when you don't have to be regimented and for when you don't need parameters. When you're creating a song, there should never be any parameters, so being high is okay because your mind can wander all over the place.
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I'm not a trained musician or singer, but I can turn out a song.
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I keep this crazy notebook of song ideas.
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I would say when you're dealing with live musicians and musicality, the warmth of a live instrument brings a certain feel to a song that is really hard, sometimes, to get from synthesized instruments.
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Music is like a lifeblood - it changes the way I move; it changes the way I feel about myself. The way I walk into the room is different depending on the song I was just listening to.
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It's funny because as a composer, you want to hear your songs live on. I think a lot of times people will create a song and it becomes stagnant or something that they're no longer interested in playing, and they leave it alone.
