Song Quotes
-
She's blonde with all the hits. Taylor Swift. She's hot. More than that, she's beyond talented. I have to write a song with her.
-
You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
-
When I was 3 or 4, I seemed to be bursting with music. They played Ella Fitzgerald, Count Basie, Frank Sinatra in the house, so I learned my vocabulary from song lyrics - I was literally singing before I was talking.
-
My favorite song? 'Amazing Grace.' Anybody singing it. But the best it'll ever be done is by the Scottish National Pipe band and their National Orchestra. It'll bring tears to your eyes.
-
Writing-wise, I started when I was 17. Whatever was bothering me, I could just write about it in a song. I was in the west suburbs of Chicago, then I moved an hour south, and then I went to school up on the South Side - Saint Xavier, though I was at Purdue for a second before I dropped out.
-
'Sit Here and Cry' was one of the first songs I wrote with that overdramatic sarcastic dry sense of humor, which is why the energy of the song doesn't necessarily reflect the subject matter.
-
I feel like 'Next To Me' is a great introduction because it's a simple song that has a simple message for me. I wanted to introduce something that lyrically I'm proud of and introduces me both as an artist and as a writer.
-
I'm from the disco era where everybody thought they were John Travolta... What song is going to get me on the dance floor? Anything from 'Saturday Night Fever,' and you're up there like a demon.
-
You have to learn how to act a pop song. You have to find the balance of the pop from the pop song and the lyrical significance of the scene you are in.
-
Songs are my diaries; they always have been. You have to put your trust in everyone because putting down those real, personal details and thoughts that make a song authentic also opens you right up. I am constantly misunderstood; a lot of people just don't get me.
-
I was having a conversation with my father and he was talking about this thing - strangeness and charm. It's actually the name of the two smallest particles that there are when you split the atom, so I wrote a song around it. I even managed to fit the word 'hydrogen' in there. Isn't that a nice thing for scientists to call them though?
-
The song "Sing for the Submarine" presents my dream world, which is way different from my waking world. It's set in the future and it's post-apocalyptic.
-
The Song Remains The Same is not a great film, but there's no point in making excuses. It's just a reasonably honest statement of where we were at that particular time. It's very difficult for me to watch it now, but I'd like to see it in a year's time just to see how it stands up.
-
It's crazy because I was 10 years old when 'Macarena' was all over the place, and I remember looking at it from a different point of view. I remember culturally how important that song was, even though people didn't really know what they were saying. It was more about the dance and the movement of it and the cultural side of it.
-
A DJ can't just play one song. It's about playing a set, or how you connect songs in those two hours, and where you place them.
-
I usually work on a film soundtrack for two years, turning in a song every few months, and that keeps my creative energy high, because I'm constantly rotating projects. The trick is to make sure I don't work too hard and get exhausted.
-
If I love a song, I make it mine.
-
I worked with Snoop, but I would love to work with him again, but DMX... I would love to work with him as well... I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.
-
Writing songs does not get any easier, and that might be because I am harder on myself than I was twenty years ago. Hopefully, as we grow older and change, there are fresh topics, new perspectives, or at least there should be.
-
They keep the song as street as it needs to be. It's got a good catchy hook where it can do what it needs to do on the radio, but they keep the song street where it will keep credibility in the hood.
-
It's like a little folk song. I think it might've been Harry Belafonte or someone like that who did it. And "Merry Christmas, Everybody" by Slade, which is a rock group - a rock-pop group who are very big over there.
-
I've done that I was touring a couple of years ago with R. Kelly and the Lillith Fair, I would do the late night underground gigs as well because it's always around those times that there was a hot song, either on the radio or in the clubs, it would just be simultaneous.
-
I want to make music three-dimensional. I want to make a song also a painting, and a painting also a culinary experience.
-
Once I release a song, it's not just about me or the people... I write about. They're my stories, but they're not really mine any more.
