Song Quotes
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Usually the song is totally done. I'll do absolutely everything, backing vocals - everything - but in gibberish. A lot of times its based on the mumblings that I sing. Even though I sing in gibberish, it kind of makes sense.
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If I would make a song dedicated to any woman, it would have to be my mom because, you know, she's been there since I came out of her. She would have to be the one... my mom or my daughter.
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Oh! not for the great departed, Who formed our country's laws, And not for the bravest-hearted, Who died in freedom's cause, And not for some living hero To whom all bend the knee, My muse would raise her song of praise - But for the man to be.
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I can't legislate a song into being; it just will not happen for me.
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When I play with the full band, you get to be larger than life, you feel larger than life, and that particular moment in the song where there's passion, you've got nine guys behind you, all driving that sound and that feeling with you. That's like surfing a huge wave, because once you start you really can't stop it, you got it going down a huge mountain.
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'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.
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I think if you can affect somebody's life with one song, that's such a powerful tool to reach millions of people on so many different levels.
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Too many people focus on writing what they think they should write, what should be in a song, what radio would want.
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The premise of anything you do - whether it's writing a song or any business - is ultimately that it hinges heavily on your belief in the thing that you're doing and promoting and selling. It's a reflection of who you are in a very deep way.
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I think the song itself, 'Smoke and Fire,' is just a metaphor for the feelings that you feel in a relationship.
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I think any song should sound good just played on a solitary instrument with the vocal. If you have those basics you have all you need. The production then just polishes that idea into the finished thing.
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I think a solo moves forward the way a song does, because it's reflective of the chords that I'm considering as I'm soloing, and at the same time I'm going as much out on a limb as Frank Zappa used to, in terms of just going crazy on the instrument.
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Laurie Lewis' songs combine passion and sheer craft in a way you don't hear very often. Whatever country music is supposed to be, she's at the center of it.
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A song can't be completely serious if you rhyme melodic with alcoholic.
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Sometimes if a song hits me really good the first time, I get sick of it. And by the 10th time I've heard it, it's just candy, and I don't like it anymore.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
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My favorite song to play is 'Smokin' by Boston. I actually had a chance to play that with the band Boston live.
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In a certain sense, every time you sit down to write a song, there's a fear that you've forgotten how to do it.
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When we write songs, we don't ever sit down to write an Old Dominion song. We just sit down to write the best song we possibly can.
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That song ["Don't Tell Me"] didn't take us anywhere, and I know why now. It wasn't what Van Halen fans wanted. It showed the darkness of Van Halen, and basically the end of the band.
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Do you think I'm wandering around all day thinking, 'I must write a song called 'Three Coins In The Fountain'?' Only an idiot would do that.
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I first saw the ocean as a kid. We would drive from Arizona in the summer and arrive as the sun was starting to come down over the hill near Laguna in southern California. We would always sing a song, and it was a big joyous family moment when we came over the hill.
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Every record we do, we do one song we didn't write.
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So where a lot of people will spend three weeks on one song, I will write 10 in three weeks. Maybe the song that they sculpt is going to be as successful as just one of the 10 that I wrote.
