Song Quotes
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I've always wanted to do a cutesy little song with a guy and girl singing back and forth and thought that Regina Spektor would be kind of cool for that. I love her voice. She's an amazing musician.
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I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.
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Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
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I wrote my first song at 12 and remember someone asking, 'What were you going through at 12 that you could write about?' I get what you're saying, but 11, 12, 13 were the hardest years of my life. You learn everything. You learn how horrible things feel.
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We've gone further on this album, where we have a Big Band song, kind of a Sinatra-type song; we have a couple songs that have electronic music on them. We've got a couple rock songs, maybe a little heavier than what we've done. So the title 'Jekyll & Hyde' really covers the breadth of the record.
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I'm a song and dance girl. I can act enough to get by. But that's the limit of my talents.
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Come! let the burial rite be read - the funeral song be sung! - An anthem for the queenliest dead that ever died so young - A dirge for her the doubly dead in that she died so young.
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A song can't be completely serious if you rhyme melodic with alcoholic.
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You kinda don't know what's going to make a good song. You've got to shoot around in the dark for a little while.
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Some people buy records just to dance to 'em. Some people buy records to listen to the radio. And there's people that buy records 'cause they listen to every song.
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Heart of my heart, the world is young; Love lies hidden in every rose! Every song that the skylark sung Once, we thought, must come to a close: Now we know the spirit of song, Song that is merged in the chant of the whole, Hand in hand as we wander along, What should we doubt of the years that roll?
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My Soul gave me good counsel, teaching me that the lamp which I carry does not belong to me, and the song that I sing was not generated from within me. Even if I walk with light, I am not the light; and if I am a taut-stringed lute, I am not the lute player.
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I wrote a techno song after I was deported. I was in America for a little bit, but then I was deported back to Germany. I was very sad.
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I can't legislate a song into being; it just will not happen for me.
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My favorite song will always be 'Layla' by Derek and the Dominos, because my granddaughter was named after it.
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I think doing a record with B.B. King allowed me the opportunity to blend two different generations across the board and make a song that I hope is extremely impactful.
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My feeling is that, and I've been writing about my family over the years, although it might make them feel uncomfortable, people generally like to be written about. If I've written a song about the family, they enjoy being mentioned in the songs. Nobody's confronted me and said 'don't write any songs about me.
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I can't just sit down and make a song in a day. It's only possible if you focus on the music and not the sound.
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There's two things that are tough when you're trying to be a songwriter: Number one is, how do I write a great song? The second thing is, how do I write a great song that's right for me?
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'Never Forget You' was the first song I co-wrote.
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When you sing the same song over and over and over again, it stops meaning what it originally meant to you. It starts sounding like white noise, or my washing machine.
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After struggling for so long in the industry and writing so many failed songs and hearing 'no' for so long - I'm so grateful every time I hear a song that I was a part of on the radio.
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He was annoyed 'cause I didn't say that he'd written one line of this song 'Taxman.' But I also didn't say how I wrote two lines of 'Come Together' or three lines of 'Eleanor Rigby,' you know? I wasn't getting into any of that. I think, in the balance, I would have had more things to be niggled with him about than he would have had with me!
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It's nice if people ask to use your song. You have to make a decision as an artist how you feel about that.
