Glenn Frey Quotes
Quotes to Explore
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I'm very comfortable being naked. It's one of my favorite things to do.
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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High fashion has become representative of stability in unstable places; that allows you to have a voice in the world stage.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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I really like Ariana Grande, Jessie J, and Nicki Minaj's song, the 'Bang Bang' song. It's the new 'Lady Marmalade.' So good.
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My camps are always ten weeks. That's what makes me comfortable.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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Just about every actor wants to be a Disney cartoon voice at some point.
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I like rock music because it's always sonically fascinating. There's never a method to what it needs to sound like. It's just however that instrument comes out that day, whatever the humidity level was in the air, what studio you were at. All that makes that tone that you can't re-create, so each song is like a person.
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You know, I'm a curvy woman and I just want to be comfortable with that.
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I wanted to be Katharine Hepburn-ish – there was a bit of nobility about her.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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If you asked me to sing a modern song, I wouldn't be able to - I can't easily slip into that groove. But if it were a song by Nico or The Velvet Underground, fine.
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I'm more interested in having a place to work out my voice and my body than I am in having furniture.
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I've always said that I use my voice as an instrument. It was something I created myself, and I said, 'Have voice, will travel.'
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Tone is an interesting question because part of the inspiration of looking to song is that Geisel himself - when you think about his animated version of The Grinch - embraced the idea of using songs in unconventional ways, as part of conveying a narrative. The use of music, in this film, is very unconventional, which I love.
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Look at every path closely and deliberately, then ask ourselves this crucial question: Does this path have a heart? If it does, then the path is good. If it doesn't, it is of no use.
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I'm asking regular folks to be my super PAC.
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I wanted to sing songs that my voice was comfortable with.
