Glenn Frey Quotes
Quotes to Explore
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I'm very comfortable being naked. It's one of my favorite things to do.
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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High fashion has become representative of stability in unstable places; that allows you to have a voice in the world stage.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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I really like Ariana Grande, Jessie J, and Nicki Minaj's song, the 'Bang Bang' song. It's the new 'Lady Marmalade.' So good.
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My camps are always ten weeks. That's what makes me comfortable.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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Just about every actor wants to be a Disney cartoon voice at some point.
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I like rock music because it's always sonically fascinating. There's never a method to what it needs to sound like. It's just however that instrument comes out that day, whatever the humidity level was in the air, what studio you were at. All that makes that tone that you can't re-create, so each song is like a person.
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You know, I'm a curvy woman and I just want to be comfortable with that.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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I'm more interested in having a place to work out my voice and my body than I am in having furniture.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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I've always had a teenage thread running through my music. On my first album, I had a song called 'Confessions of a Teenage Girl.' It's about using your feminine wealth to get what you want.
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's one of the perversities of the age: I'm embarrassed by its success, but I'm happy it's selling.
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I am constantly torn between the attitude of the conscientious journalist who is a recorder and interpreter of the facts and of the creative artist who often is necessarily at poetic odds with the literal facts.
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As one grows older one becomes more critical of oneself and less of other people.
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You don't want to move in with someone and find out that they don't have auto or health insurance. That's a rude awakening.
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I wanted to sing songs that my voice was comfortable with.
