Song Quotes
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The need to make music, and to listen to it, is universally expressed by human beings. I cannot imagine, even in our most primitive times, the emergence of talented painters to make cave paintings without there having been, near at hand, equally creative people making song. It is, like speech, a dominant aspect of human biology.
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The first song that I ever recorded was written by my mother.
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Play every gig Every song Every note Like it's the last one One of them will be Never throw it away Or take it for granted Put some bourbon in your coffee Pour some gravy on the mashed potatoes A little catsup on that T-Bone, please
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The thing that I love about acting is the fact that I can help people feel things, know themselves or feel less alone. It's my form of expression, in the same way that someone might paint a picture or sing a song in that you're hoping that it moves somebody outside of their own way of thinking.
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Portishead's production is just insane beats you would expect to be on a KRS-One album. But then there's this little white girl with an angel voice singing over it. It was a cool juxtaposition. I like 'It's A Fire.' That's a chill song with kind of a military drum thing going on, like a drummer boy.
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I've been through almost every type of obsession as far as music genres go, so I usually say I just like a good song, but the songs that are the most universal that a person on the other side of the world knows and can relate to is a very powerful entity.
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Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
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Every time I write a song my approach changes.
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I like the songwriting. I don't ever listen and then go back and change stuff. For me when I wrote the song, it's always really fun and exciting.
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I'm doing a fun EP. It's called 'Songs in the Key of Phife: Eight Is Enough.' It's radio-friendly, but then a lot of it just has that raw hip-hop. Some of it will be vintage Tribe, but for the most part I'm just letting my voice be heard.
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'Spectrum' is in part a disco song. But we play it hard, and it's a real euphoric, wailing tune. It's kind of like a total house anthem, in a way, but it seems to be going down really well. We've got all the grunge kids going mad for disco house raves.
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The same song can have drastically different feels and personalities just by changing some minor things. A different drumbeat or some vocal overdub could completely transform the song.
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Whether you're a history buff or a fantasy fan, Druon's epic will keep you turning pages. This was the original game of thrones. If you like 'A Song of Ice and Fire', you will love 'The Accursed Kings'.
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We travel so much as touring musicians and artists that sometimes, when you hear a great song that you really think could be on your project, you go ahead and record it instead of try to write it.
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I long to be known as an extravagant worshiper...that God would discover the song in my heart to be elaborate, overgenerous, and wasteful in my pursuit of Him.
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For me, 'I Am Woman' is all about transition. I turned 21 in December, so I'm not completely grown up yet but I'm not a little girl anymore. Just in that in-between stage. The song is everything I have ever heard a woman say. I loved this song for me and every young lady, girl and woman to be able to feel empowered in being female.
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I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.
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Whether it's an inspiring song or whether it's an entertaining song - whatever it might be about it - I just want people to feel the emotion that I put into it because I think emotion... is everything.
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There's actually a song called 'Vegas Lights,' which I wanted to be an anthem for Vegas, that represented how I felt when I went to the clubs. I felt this weird energy where everybody was having a good time, and it didn't matter. Dancing like nobody's watching. It was kind of beautiful.
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Love is the song of the soul, singing to God.
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My favorite part is, once a song is out there to the public, having someone come up and tell their own story about why one of your songs resonated with them. It's an incredible feeling.
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It's a marvelous feeling when someone says 'I want to do this song of yours' because they've connected to it. That's what I'm after.
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We spent a long time learning the craft of songwriting, Roger Glover and I, for a few years before we joined Deep Purple. You learn about the percussive value of words, and you learn about rhyme and meter. You learn that you can't transform a poem into a song lyric, mostly because the spoken shape of words is different than the sung shape of words. You wouldn't use the vowel 'U' or the vowel sound 'ooo' for a high note for example, its very difficult.
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'Storm' was the first song I did as a member of YG. The record gave me a lot of pressure. I didn't think I was prepared at the time.
